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Desislava Eick Art Consulting

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Desislava Eick Art Consulting

Experienced Art Advisory for International Clients
Tailormade solutions
Curating
Contemporary Art
Art Fair expertise

01/11/2020

I HAVEN’T TOLD YOU ABOUT THIS ONE YET.

Terunobu Fujimori, Ein Stein Teahouse

18/10/2020

PERFECTION.

16/10/2020

THINKING OF VENICE.

One year ago at for Yun Hyong-Keun’s so wonderfully curated by

Feeling blessed to be able to go back to this art moment in my mind, cherishing the uniqueness and history of the place, the immense creative will and quality of the artist, the sensibility of the placement and choice of the curators. These are the art moments I live and long for and that stay with me.

11/10/2020

I AM ME.

I AM
POWERFUL
KIND
CONFIDENT
BEAUTIFUL
STRONG
CAPABLE
GRATEFUL
I AM ME.

07/10/2020

EL GRECO, The series of the 12 Apostle were an inspiration for the choreography „Deep Red“ by Anne Teresa de Keersmaeker performed at by

Look out for more collaborative projects of Choreography & Art in the course of the current exhibition at Kolumba Kunstmuseum Cologne.

04/10/2020

SERENITY & PIECE.

27/09/2020

Anne Terrsa de Keersmaeker, Untitled, 2020
From the exhibition “Das kleine Spiel zwischen dem Ich und dem Mir” - Kunst und Choreografie ( The subtle interplay between the I and the Me” - Art and Choreography ) at
14.09.20 - 16.08.21

Dance is ephemeral. So in the context of the museum we can ask, how can we preserve the fleeting moment?
There is no global notation system for dance as there is for drama ( script) or music (score).

Choreographers work with individual ways of recording thoughts and processes. These three drawings stem from the context of “Dark Red” conceived by Belgian choreographer Anne Teresa de Keersmaeker for Kolumba Museum.
They oscillate between idea and materialization based on geometrical forms and mathematic principles ( squares, circle, numbers ...)

“Dance is the most contemporary art. Therefore the tension between past, present and future is essential.” ( Anne Teresa de Keersmaeker)

13/09/2020

ALICJA KWADE, Emergenz, 2019

stainless steel, concrete, granite, marble, sodalite, patinated copper

From the current show „Kausalkonsequenz“ at Langen Foundation, Neuss

Art lets us see the things we deem well-known in new ways. Alicja Kwade is an explorer of trans - form-ation and the installation „Emergenz“ also follows an evolution of matter and form.

It is fascinating how the mirrors complete and irritate our perception and let thoughts pop up in our mind.

Kwade accomplishes nothing less than to make us actually feel the connection and process of seeing with our eyes and interpreting with our brain!
If you have the chance go explore for yourself, I promise you a journey engaging your senses and your mind.
Expect to see in a new way!

09/09/2020

ALICJA KWADE/ TADAO ANDO / Langen Foundation

Brilliant installation by the Berlin based artist supported by her gallery
The first time I see these spectacular stairs come alive.
The sandstone spheres evolve from small size to large blocks on the top of the stairs. There is an incredible feeling of eternity and general passing of time about this installation.
Perfect dialogue between art and architecture!

08/09/2020

ALICJA KWADE, Multi- Teller (20), 2018
from the current exhibition „Kausalkonsequenz“ at Langen Foundation, Neuss.

24/08/2020

MONDAY INSPIRATION
Melike Kara, K-23 Leaf and Blossom, 2020

Melike Kara is a Cologne based artist born to a Kurdish-Alevi family.
Tracing her roots and the ways heritage has survived with generations despite the history of Kurds being one of wars, oppression, persecution, displacement and migration.

Her semi abstract paintings reference traditional tapestry weaving motives as well as recollections of myths and stories handed down from generation to generation.
Asking what the past means for the present in terms of identity, homeland and belonging.

19/08/2020

CLAIRE FONTAINE, Foreigners Everywhere ( Arabic/Hebrew), 2010

Claire Fontaine is a fictional persona founded in 2004 by artists Fulvia Carnevale and James Thornhill, an Italian- British artist duo who declared themselves her assistants.

The name Clairefontaine was inspired by a famous French notebook brand and the artists defines herself as a readymade artist.

Claire Fontaine uses the concept of readymade also for her artistic production. She appropriates on a formal and on the content level, addressing the general „crises of singularity“.
Writing and text based works play an important role in her practice.

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