16/09/2022
SOUND REINFORCEMENT SYSTEM DESIGN FOR THE 1,000-PERSON LECTURE HALL
In the last issue, we mainly introduced the acoustic design of the 1000-person lecture hall. When the acoustic indicators such as noise and reverberation parameters in the lecture hall meet the requirements, supplemented by professional sound reinforcement system design, the indoor layout of the sound reinforcement equipment is located through computer software (such as EASE) environmental model, and finally the professional audio engineer adjusts the relevant parameters of the audio processor, which must achieve the expected effect.
DESIGN GOALS
SOUND REINFORCEMENT SYSTEM DESIGN INDICATORS
• Ensure that the sound reinforcement system in the auditorium meets the following indicators (level 1): Maximum sound pressure level: M103 dB
• The transmission frequency characteristics are 0dB with an average sound pressure level of 100Hz to 6300Hz, and the allowable range in this frequency band is -4dB to +4dB; Permissible range of 50Hz to 100Hz and 6300Hz to 12500Hz
• Sound gain: the average value of 125~6300Hz is greater than or equal to -8dB;
• Steady-state sound field inhomogeny: less than or equal to 6dB at 1KHz, less than or equal to 8dB at 4KHz
• Language Transmission Index (STIPA): >0.5
• Total system noise level: NR-20
SOUND REINFORCEMENT EQUIPMENT SELECTION
1. SELECTION AND ARRANGEMENT OF LOUDSPEAKERS
The selection and arrangement of the loudspeaker will eventually affect the sound quality effect of the lecture hall, and when designing and planning, in addition to meeting the acoustic design indicators required by the specification, it is also necessary to meet the loudness, uniformity, clarity and fullness of the audience seats during language reinforcement; Requirements for fullness, brightness and sense of direction (panorama positioning) during music reinforcement; Speech should be able to achieve clear language, no distortion, sufficient sound pressure margin, uniform distribution of sound field, silent feedback whistle, large dynamic range, bass, midrange strength, high pitch clear and bright without hair, sound and image positioning is correct.
• Line array loudspeakers: Set up line array loudspeakers hanging and installing on the left and right sides of the stage front as the main expansion, effectively covering the audience area
• Rear-field sound cabinet: In order to ensure the uniformity of the entire venue sound field, while considering the sound field coverage of the middle and rear areas, wall-mounted sound cabinets are configured on both sides of the lecture hall and the back field as a supplement to the main amplifier;
• Pull audio loudspeakers: set on both sides of the front of the stage. They are mainly used for front area sound filling, and at the same time have the effect of "moving down" the sound image of the loudspeaker system above the stage, that is, pulling the sound image.
• Listening loudspeakers: according to the needs of the performance to set up the use of loudspeakers, they provide live listening for stage actors. Flow landing, flexible use.
• Subwoofer loudspeakers: Set up low-frequency loudspeakers under the left and right sides of the stage to supplement the low-frequency effect of the venue. Can provide a good low-frequency off-line expansion, high sound pressure, to ensure the real low-frequency effect under high power.
2. PICKUP: According to the use scenario of the lecture hall, the pickup equipment is equipped with wireless headsets, wireless handheld microphones, wireless gooseneck, wired desktop microphones, which can be used to meet the needs of different application.
3. MIXER: The mixer selects the mainstream brand digital mixer in the market and adjusts the parameters through the intuitive colour touch screen or rotary encoder. Commonly-used functions can also be adjusted via the buttons. Configured with 32 mixing channels (24 lines/amplifiers + 6 lines + 1 USB stereo) and 16 output channels as required. With 24 Class A amplifiers, all output channels have 1/3 octave diagram equalization and 6-segment parametric equalization, as well as limiter, delay, and 12-band notch filters; 14 mono mixes, which can be turned into stereo sound directly to in-ear monitoring; 6 stereo effects plus pitch correction effects. Support mainstream network audio protocols Dante, Q-sys, etc., more than 120 preset parameters of live instruments, microphones, and audio sources; The operator can quickly call according to the needs of the scene, which greatly reduces the operation difficulty of the operator.
4. AUDIO PROCESSOR: The audio processor is the "heart" of the entire sound reinforcement system, as the "glue" between the signal input device and the output device, and will play an important role in the entire audio link. It is used to improve the audio signal and make existing equipment get better results; Completely open programming architecture, supporting third-party central control management platform for remote control.
5. POWER AMPLIFIER: To better co-operate with the full-frequency array loudspeaker module and the line array subwoofer, according to the model and number of loudspeakers, the system is equipped with 2 high frequency linear array loudspeaker amplifiers, 4 sets of low-frequency line array loudspeaker amplifiers, and 2 sets of line array ultra-low frequency loudspeaker amplifiers.
CONCLUSION
The design and planning of the sound reinforcement system should also fully consider the compatibility of the system to meet the needs of different application scenarios. The configuration and selection of audio equipment must also be stable in performance, reliable in quality, simple in control, easy to use, and compatible with the more mainstream audio network transmission protocols on the market, which is convenient for subsequent upgrades and expansions.
Author: Marvin Wang, Editor: Joanne Yang