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Since 2004, BMS has been a long-term cooperation project for the further education of museum professionals, combining museum theory and practice in a week-long programme held annually in one of the Baltic countries.

29/07/2026

BMS 2026 Participant Voices: Ieva Cicenaite "What could be better than a vacation? A week in Liepāja with museum professionals, talking about the museum of tomorrow!
Experiences. People. Conversations that help us grow. Sharing that inspires. (...) And I can only very, very strongly recommend to my colleagues: next year the Baltic Museology School will be in Estonia. Don’t miss the opportunity."
https://www.facebook.com/share/p/1ETUDNGGXD/

🏛️💬 24 July | Empowerment and AgencyThe final day of the Baltic Museology School brought us back to a question that had ...
27/07/2026

🏛️💬 24 July | Empowerment and Agency
The final day of the Baltic Museology School brought us back to a question that had been quietly present throughout the entire week: how can museums create opportunities not only for participation, but also for influence, ownership and agency?
💡At the Liepāja Occupation Museum (Liepājas okupācijas muzejs), Agnes Aljas invited us to think about digital heritage as something more than digitised collections and online access. Through examples ranging from community knowledge and creative reuse to gaming and AI, she showed how heritage becomes meaningful when people are able to engage with it, reinterpret it and make it part of their own cultural practices. One particularly memorable example reminded us that museums can no longer rely on stereotypes about young audiences: they are not only audiences; they are creators, experts and active participants in cultural life.
💡In the second session, Daniëlle Kuijten challenged us to think about what it means to hold shared spaces – spaces where different experiences, perspectives and sometimes uncomfortable conversations can exist side by side. Not to solve every difference, but to learn how to work with them.
Through a series of group discussions, participants explored what shared space actually means in museum practice and in the wider context of public culture and society. What does a shared space look like? What conditions does it require? What is already in place, and what still needs to be achieved? The conversations touched on questions of trust, inclusion, participation, responsibility and the role of cultural institutions in increasingly diverse societies.
💡In the afternoon, we moved to STAY-TION, the public living room of the Great Amber Concert Hall (Liepājas koncertzāle Lielais dzintars / Concert hall Great Amber). It felt like a fitting place for the School's final World Café: not a conference room, but an open space designed for gathering, conversation and exchange.
Working in four groups, participants revisited the week through four simple questions: What impact are you really seeking to achieve through your museum? What museum practices will you take home from BMS 2026? What would you have to do to make your museum unsuccessful? And what stood out to you during the visits to the museums of Kurzeme?
💡As BMS2026 comes to a close, we leave with better questions, new ideas, and a stronger community than we had a week ago. Thank you to everyone who shared their knowledge, experience, curiosity and generosity throughout the week. The conversation continues.
💡BMS2026 is now over. Long live BMS2027 in Estonia! 🇪🇪
📷 Jana Šakare

🚌 Baltic Museology School 2026 | Study Visit DayOn 23 July, the Baltic Museology School 2026 programme took participants...
26/07/2026

🚌 Baltic Museology School 2026 | Study Visit Day
On 23 July, the Baltic Museology School 2026 programme took participants on a study visit across Kurzeme. Over the 22 years of the School's history, study visits have become an important part of the week. They offer an opportunity to step outside the classroom setting, encounter different practices in context, and, not least, provide valuable space for conversations and connections among participants.
◆ As always, however, the visits were guided by specific learning objectives. Reflecting this year's theme, participants were invited to approach each visit through four questions:
OBSERVE – What do I actually see happening?
QUESTION – What assumptions or power relations underpin this practice?
CONNECT – What does this reveal about the relationship between museum, place and community?
TRANSFER – What could I learn from this for my own practice?
◆ Our first destination was Aizpute Local History Museum (Aizputes novadpētniecības muzejs), where director Jolanta Berga and her colleagues introduced us to the museum's work with local communities, its educational programmes, and its role in the cultural life of the town. The visit offered many examples of how museums can combine heritage preservation, learning, creativity and everyday community engagement.
◆ The next stop in Aizpute was Interdisciplinary Art group SERDE (SERDE) where Signe Pucena and her team shared the organisation's work at the intersection of field research, artistic practice, traditional skills, experimentation and community involvement. The visit highlighted another way in which cultural heritage can be explored, documented and activated through collaboration and participation.
◆ The study visit continued at Kuldīga District Museum (Kuldīgas novada muzejs). Together with museum educator Baiba Vētrāja, we explored both the museum's permanent exhibitions and the collection exhibition "Preserved. Kuldīga District Museum 1935–2025", created for the museum's 90th anniversary. Particular attention was given to the exhibition's future-oriented section developed with children, which invites young people not only to visit the museum but also to contribute their own ideas, stories and visions of what a museum can be.
◆ At the museum's Open Collection exhibition A Journey Through the Museum Collection, Krists Zeidlers introduced participants to Kuldīga Museum's efforts to make a larger part of its collections accessible to the public. The visit sparked discussions about visibility, access and the many ways museums can share collections beyond traditional exhibition formats. It also highlighted the role of museum professionals as makers, problem-solvers and interpreters, showing how practical solutions, professional expertise and curatorial thinking are woven into the exhibition itself.
◆ During our time in Kuldīga, BMS alumna Krista Jansone guided participants through the town, helping us explore some of the stories, places and traditions that contribute to its unique atmosphere. The walk invited reflections on the many elements that shape a living heritage city – from cultural heritage and restoration practices to community involvement and everyday ways of life. While heavy rain prevented us from visiting every site we had planned to see, Kuldīga nevertheless left a lasting impression on the group and, we suspect, inspired many participants to return.

📷 Jana Šakare

🏛️Baltic Museology School 2026 | Museums as Partners in Learning◆ One of the key ingredients of the Baltic Museology Sch...
26/07/2026

🏛️Baltic Museology School 2026 | Museums as Partners in Learning
◆ One of the key ingredients of the Baltic Museology School’s success is the active involvement of museums as partners. They open their exhibitions and collections to us, invite us behind the scenes, and share not only their achievements but also their doubts, mistakes, and the difficult questions they continue to grapple with. This openness creates a learning environment that is honest, inspiring, and deeply valuable.
◆ This year, the Liepāja Museum (Liepājas muzejs') and its branches – the Occupation Museum (Liepājas okupācijas muzejs) and 17th to 19th Century Interior Museum “Mrs. Hoyer's guest house” (Liepājas interjera muzejs. Hoijeres kundzes viesu nams - and especially its wonderful historic tavern!) – were our main host museums.
◆ As museum professionals, we know that closing an exhibition to visitors is an exceptional step. To make space for Baltic Museology School activities, the exhibition "The First Destruction of Liepāja in the Second World War. 22–29 June 1941" at the Liepāja Occupation Museum was temporarily closed and has now reopened. We are sincerely grateful to the Liepāja Museum team and the exhibition’s creators for their trust, flexibility, and generosity.
◆ During the first days of the School, we were also fortunate to work in the inspiring setting of "The Space Between Consciousness and Perception", an exhibition at Liepāja Museum by artist Māris Čačka, Director of the Rothko Museum (Rotko muzejs / Rothko Museum) in Daugavpils, where Baltic Museology School was held in 2023. Sometimes the threads between different Baltic Museology School editions reveal themselves in unexpected ways.

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Kungu Iela 24
Liepaja
LV-3401

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