Royalmediart.Inc.

Royalmediart.Inc. Turn lost profit into high yield digital assets. | Recover, Fix, Expand |

Royalmediart is firm specialized in Artwork Creation, Graphic Design & Printing, Products Design, Interior Design, Textile Design, Art leasing to establishments for the work environment to take a new look every 3,4 or 6 months, Artworks documentation & certification, Artworks licensing, Copyright, Trademark, Business Registration & Incorporation. We transform your idea into brand through Art and design also protect your intellectual property.

26/04/2018
30/07/2016

If you haven’t already heard the great news, the Licensing Expo has created a free digital Matchmaking Service for the benefit of their attendees and exhibitors. Through this system, the user can effectively and efficiently find and schedule the right meetings with the right people. This new service streamlines the entire Licensing Expo process and greatly increasing the opportunities for success.

Here’s what you really need to know to make the most of the Matchmaking Service. For attendees and exhibitors of Licensing Expo, who have registered and received their email confirmation, you will need to click on the link to access the service and set up your brief Matchmaking profile. It is extremely easy and simple to do.

Here’s where it gets pretty exciting. Exhibitors may request meetings online with both exhibitors AND attendees. This is groundbreaking. Also, attendees may request meetings with any of the exhibitors (but not with other attendees).

That’s the general idea of how the Matchmaking Service works and is structured on the home page. Now here are some tips, which, if followed, will make the system work better for you.

1. Profiles should only include what and who you are looking for.
When completing the Profile section titled ‘My Interests’ you will want to only check off the categories listed which apply to your business, or as Licensing Expo puts it: “those types of companies (which) you are interested in securing new partners.” For example, if you are a publisher looking for new characters, just check-mark ‘characters.’ If you also checked off ‘publisher,’ then the system will send you all the publishers and characters, including your own competition, and it’s up to you to filter them out one-by-one. You can avoid having to do this by only checking off the categories you are looking for and by not including your primary business category.

2. Be specific and don’t check all the boxes.
I see people in the system who have checked every business category under ‘My Interests,’ which indicates the desire to secure partners in ALL product areas. While this may be true, I believe this will get more rejections, especially from those in the highest level and decision-making positions. Those who are approving appointments and reviewing your profile will really appreciate a more detailed description of ‘what you do’ and specifically ‘what you are looking for.’ So I recommend you be selective and DON’T check all the boxes, and DO get as specific as possible in your profile description.

3. Do your research.
Get into Matchmaking database and spend time carefully looking at whom you wish to request a meeting. Several of my clients are already getting appointment requests, but there are some individuals who are sending out requests that, frankly, for various reasons, don’t make sense. I suggest that when making or responding to a request, thoroughly research their website, as well as read their profile to make sure it’s a good fit BEFORE you make or accept a request.

4. Write a note.
Take the time to explain why you would like a meeting and why it could be important to them. This will probably be the most influential factor in getting an appointment with someone you don’t yet know. If you have properly filled out your profile with all the important details and specifics, I am sure that it will help immensely. However, I still recommend writing a personal note.

5. Take rejection like a pro.
Remember it takes 10 to find one. Don’t be hurt if they don’t approve the appointment. And certainly, don’t take anything personally. The proper response to rejection is NEXT.

6. Keep your schedule online.
Make sure you put your complete schedule into the Matchmaking Service, so it will be able to accurately schedule your appointment times without any conflict. If you don’t do this, then when you are attending classes, have booth duty or are busy with other appointments, the system might double book you.

7. Schedule more appointments at the show.
As I mentioned, the closer we get to the show the more people will be online getting serious about their schedules and actively making appointments. It’s a numbers game, so save some of your requests to schedule appointments right before, or even while you are at the show. I suggest that during the show, you constantly use the database to re-request appointments and fill in your schedule. Look for people who have registered at the last-minute, who may be incredibly important to you, yet may have fewer appointments. There is sponsored free Wi-Fi at Licensing Expo and it has been pretty good the last few years, so you shouldn’t have any problem.

I hope everyone will get on the Matchmaking Service and give it a try. It’s really a great opportunity to reach out in a targeted way to get the appointments you need that wouldn’t otherwise be possible. Remember, there Matchmaking Services are at booth and there is space available for holding meetings. Have a great show…and I hope you meet your match!

01/12/2011

In three evening sales Phillips de
Pury, Christie’s and Sotheby’s
racked up well over half a billion
dollars, turning in high sell-
through rates and establishing a
raft of new records for both
living and dead artists. The
climax was reached on
Wednesday night at Sotheby’s
when a rare 1949 abstract by
Clyfford Still made an astonishing
$61.7m (est $25m-$35m).
Afterwards, some trade sources
thought the buyer could be the
billionaire hedge fund manager
Israel Englander. Bidding
through Sotheby’s executive Lisa
Dennison, Englander also
scooped up Still’s 1974 PH-1033
for $19.7m (est $10m-$15m) and
set a new record for Joan
Mitchell, buying her Untitled vivid
abstract, from around 1960, for
$9.3m (est $4m-$6m).

27/11/2011

Nigerian Traditional Art
About a decade ago, Nigeria
mounted a travelling art
exhibition titled "Treasures of
Ancient Nigeria," which loured
the United States of America,
Canada, Britain and some
European countries for more
than three years. Critics
described the exhibition as the
best and most comprehensive to
come from Africa. The art works
represented the vintage of
Nigerian artistic expression, for
included in the show, were the
bold and imaginative Nok terra
cottas, described as the oldest
sculptures in Africa South of the
Sahara, the bronze and terra
cotta heads of lfe which
represent a naturalism
comparable to that of classical
Greek sculpture, the famous
heads, figurines and plaques
from the foundries of the ancient
city of Benin and the lgbo-Ukwu
bronzes described as among the
earliest bronze works created by
Nigerian craftsmen.

27/11/2011

An early pioneer in postmodern
sales, Chicago-based auction
house Wright frequently sees
results exceeding estimates.
Alessandro Mendini’s 1979
Kandissa mirror fetched $11,250
in March (est $2,000-$3,000). And
last year a 1969 vase from Ettore
Sottsass’ “Yantra” series sold for
$13,750 (est $5,000-$7,000), a
limited edition 1984 Michael
Graves tea service for Alessi
achieved $20,000 (est $7,000-
$9,000) and a pair of 1978
Robert Venturi Sheraton chairs
fetched $17,500 (est $3,000-
$5,000).

26/11/2011

Not since Damien Hirst cleared
£111m from his solo Sotheby’s
sale as Lehman Brothers went
down in September 2008, setting
off the financial crisis that still
afflicts us, has there been a more
powerful conjunction of art,
money and events. Last month,
as Italy’s new technocratic
government struggled to its feet,
100 financiers, entrepreneurs,
collectors, curators, dealers and
academics gathered at the
Palazzo Strozzi in Florence for a
private conference on the future
of art and finance. The Governor
of the Bank England, Mervyn King,
senior figures from the European
Central Bank, the US Federal
Reserve, the Swiss National Bank,
the CEO of Sotheby’s, Bill
Ruprecht, former Guggenheim
Director Thomas Krens, now
running his own Global Cultural
Asset Management, were just
some of the influential people
prepared to spend 24 hours
sharing their financial wisdom
and their concern for art.

26/11/2011

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Lagos

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+2348038430020

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