06/20/2025
The New Beat of Black Economics
James Brown made his music universal by instructing the Bass guitar to emphasize the beat on "I Got You (I Feel Good)." — How can we effectively promote Black economic revitalization using that same thought?
It is a brilliant metaphor—and an invitation to restructure the entire rhythm of Black economic life.
James Brown's genius was not just musical; it was structural. When he told Bootsy Collins to hit the "One," he wasn't just adjusting the beat—he was re-centering the rhythm around a core that made the music undeniable, grounded, and powerful. That "One" became the organizing principle of funk. It created space, made everything tighter, and gave Black music a new identity that the whole world had to follow.
So, how do we translate that into Black economic revitalization? We do the same thing: emphasize the 'One,' which in our context means focusing on the core of our economic power —the Black community itself.
🔊 The Economic' One': Centering the Beat on Black
• Make the Community the Beat
• Just as James made the beat hit where others didn't expect, we must center our economic strategy on what has been neglected: the economic power of the Black community itself. Instead of chasing validation or outside investment first, we start by focusing on our own "One”: our people, our businesses, our capital, and our brilliance. This is our power, our capability, and our future.
Establish Economic Syncopation
• Funk music worked because every part knew when and how to play its role. The same goes for economic revitalization. Black banks, Black-owned businesses, HBCUs, churches, barbershops, and organizers—each has a role in the groove. However, it only works if we all follow the same rhythm: local reinvestment, cooperative economics, and ownership through participation.
Make It Felt, Not Just Heard
• You don't just hear the "One,” you feel it in your body. Likewise, economic strategies must be tangible and felt in everyday life: owning the store on your block, creating jobs for your cousin, investing in your neighborhood school, and mentoring the next Black entrepreneur. The rhythm must show up where people live, work, and build. Your actions have a real, tangible impact on our community and our future.
Start on Time, Stay on Time
• James Brown was militant about the band hitting that beat precisely. We need that same urgency. No more off-beat efforts. No more improvising around extraction. No more letting others dictate our timing or tempo. It's time to hit the One with precision and discipline—every time we touch land, policy, capital, or institution.
🎶 BlacIntellec: Hitting the One in Strategy Form
BlacIntellec exists to help Atlanta and Black communities compose a new score for economic freedom. Through BlacATL30, we're developing a ten-year strategy that enables Black businesses to reach One by solving community problems. Our rhythm? Black Intellectual Capital. Our instruments? policy, research, roadmaps, and lived wisdom.
We're not playing someone else's tune; we're building our band, producing our albums, owning the label, and controlling the distribution. That's sovereignty. That's funk.
Final thought:
If capitalism is a song, it's been off beat for Black people for centuries. James Brown told us where to start on the One. Let's build an economy where our beat can't be ignored—where the world has to move because of how we move. And when the beat drops, it starts right here: with us. The time for action is now, and the urgency of our situation demands that we engage with the One with precision and discipline every time we touch land, policy, capital, or institutions.