02/22/2026
Remembering Nina Simone (February 21, 1933 – April 21, 2003)
“She was one of those artists that really broke the mould,” opines China Moses. The statement is no exaggeration given that Simone, who died in 2003, ranks as one of the key musicians of the 20th century whose body of work continues to inspire and challenge all and sundry in the 21st.
Moses lends credence to that view by mentioning one of the icon’s enduring signature tunes, 1957’s ‘My Baby Just Cares For Me’, the first Simone track she ever heard.
“Who can sing that song like her?” she muses. “Nobody. I’ve heard it covered like 40,000 times. But a version that makes you forget about her version? Ah, no.”
“She had that same kind of melancholy to me, as Billie Holiday, except she was a little more joyous because of her vocal range,” Moses argues, taking a sip of mixed fruit juice with a ginger shot before shrewdly observing, “The voice that Nina had, which was not a girly voice… it’s lower than most vocalists at the time.
“She let the arrangements and the precision of her delivery, do all the heavy lifting, actually. When you listen to renditions of her stuff…. people can over sing ‘Feelin’ Good’ (another key moment from I Put A Spell On You, which differs greatly to ‘Ne Me Quitte Pas’). But she would interact with her musicians, she would direct them… she was a great arranger. Put away the piano playing and the unique voice, you realize how much she’s under singing, how brilliant she is at the twisting of words, or putting the energy into the word, as she lets the arrangements, the words, the melody, do the heavy lifting… like a singer-songwriter, who knows how it should be done.”
Source: July 2025 issue of Jazzwise
Photo: Ron Howard/Popperfoto/