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Meet the new EOS R8 Mark IIFull-frame. Compact. Ready for wherever the story takes you.Whether you're stepping into full...
16/09/2026

Meet the new EOS R8 Mark II

Full-frame. Compact. Ready for wherever the story takes you.

Whether you're stepping into full-frame for the first time or looking for a lightweight camera you can take anywhere, the EOS R8 Mark II is built for those who don't want to be held back by their gear.

✨ Compact full-frame design
✨ 24MP full-frame sensor
✨ In-body image stabilisation
✨ 40fps burst mode + pre continous shooting
✨ Slow & Fast Motion video modes

19/08/2026

Worth the five-year wait, itizwil. 👏 and it kept getting better and better.

The passion. The patience. The payoff. This is why we shoot. 📸

For the love of photography. Happy .

📷: Canon EOS R5 MK II | RF24-70 f2.8 & RF16 f2.8

Vivid Sydney through ' lens ✨Shot on the Canon EOS R6 Mark III | RF 28-70mm f/2.8 | RF 16-28mm f/2.8“I loved the compact...
11/06/2026

Vivid Sydney through ' lens ✨

Shot on the Canon EOS R6 Mark III | RF 28-70mm f/2.8 | RF 16-28mm f/2.8

“I loved the compactness of this kit, along with the amazing image stabilisation and high ISO performance - it made capturing the images I had in mind amongst the busy Vivid crowds and fast moving light displays a breeze!”

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01/06/2026

The incredibly rare blue micromoon captured by last night 🌕 Take a peek at Ken's notes for shooting this rare lunar event:

"I shot these on the EOS R5 Mark II with the RF 100–500mm + 1.4x.

Focal length is everything with the moon; 300mm minimum, but most of these were around 700mm and cropped. Definitely worth using a tripod at that range, and turning IS off once you're set up.

If you’re shooting manual, start around 1/100s (or faster if there’s more light) and a low aperture, I usually sit around f/8, especially at longer focal lengths. Keep your ISO as low as possible to avoid noise, it’s always better to get it right in camera.

Best time to shoot is just after it rises or before it sets; you get foreground, better light, and a bit more scale. If you’re just focused on the moon itself, I actually prefer 60–90% illumination, way more texture than a full moon.

And honestly, planning is half the job. The moon doesn’t hang around, if you miss it, you’re waiting for the next cycle."

Incredible shot by Joshua Griffen 🌌"It was a hot night swim, though looking out at a sea of tiny, glowing red fish eyes ...
27/05/2026

Incredible shot by Joshua Griffen 🌌

"It was a hot night swim, though looking out at a sea of tiny, glowing red fish eyes in the pitch black definitely added adrenaline to the shoot!

To pull the shot together, we ran a 10 second exposure for the stars while doing a quick light painting sweep with a torch to illuminate the falls.

The new Canon RF 14mm f/1.4 lens may just be the ultimate lens for astrophotography ✨"

📸 Canon EOS R6 Mark III + RF 14mm f/1.4
⚙️: 10s | f/1.4 | ISO 3200



See More of Joshua's work here: https://www.instagram.com/joshua_griffen/

18/03/2026

How to take professional photos of yourself while travelling solo ✨📸

Canon shooter shows her self-shooting setup while travelling through New Zealand using the Canon EOS R6 Mark III — from framing to focus.

Save this for your next solo trip ✈️

"Love it, live it, feel it, photograph it! Formula 1 is all about emotions. Capture them through the lens and your pictu...
09/03/2026

"Love it, live it, feel it, photograph it! Formula 1 is all about emotions. Capture them through the lens and your pictures will soar." - Darren Heath (instagram.com/artoff1/) 🏁

Just some of the incredible images taken by Darren at the F1 @[ausGP]

📷 Shot on the Canon EOS R1

New Zealand as captured by @[joannehollings ]🇳🇿✨"NZ keeps calling me back and honestly it’s the variety of landscapes th...
23/02/2026

New Zealand as captured by @[joannehollings ]🇳🇿✨

"NZ keeps calling me back and honestly it’s the variety of landscapes that makes it impossible to stay away.

From the dramatic peaks of the Mount Cook region to the moody textures of Fiordland National Park, the golden light in Queenstown, and the wild untouched beauty of the Mt Aspiring region… each place offers something completely different to create with. These are easily some of my favourite regions to shoot in Aotearoa.

My current setup has been dialled for versatility while traveling:
📸 Canon R6 Mark III is my go to body for both photo and video. It’s fast, reliable, and perfect for unpredictable mountain conditions.
🖼️ 15 to 35mm for those expansive wide landscape scenes where you really want to show the scale.
🙆‍♀️ 45mm f1.2 is my favourite for dreamy self portraits with beautiful subject separation.
🌄 70 to 200mm when I want those epic compression shots that make the mountains feel even more dramatic.
🎥 24 to 70mm is hands down my most used lens. The focal range is so versatile and it performs beautifully for video when I need to move quickly between scenes.

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