Care Of Studios

Care Of Studios Contemporary and modern art conservation incorporating treatment, collections care and exhibition services.

c/o Studios aims to provide artist, people and value centred conservation that is sustainable, inclusive and collaborative.

Material reality - delightfully turned completely upside down 🙃We recently helped with the installation of 𝘚𝘵𝘰𝘯𝘦 𝘚𝘰𝘶𝘱 at...
18/12/2025

Material reality - delightfully turned completely upside down 🙃

We recently helped with the installation of 𝘚𝘵𝘰𝘯𝘦 𝘚𝘰𝘶𝘱 at Buxton Contemporary, working alongside the sculptures of Hany Armanious — and it was a joy (and a challenge) to look closely.

Armanious remakes everyday objects with meticulous detail, often casting them in resin or metal. Timber, stone, paper, concrete, styrofoam, tree leaves — nothing is quite what it seems. A sheet of “cardboard” that looks light turns out to be bronze and incredibly heavy; things that appear fragile are solid and robust, and vice versa.

It was also fascinating to see the making of site-specific wall “paintings,” created using a wall-printing device that were used to print images of mould directly onto the gallery walls. Objects that appear aged, worn, or usually unsightly are recontextualised here as something to slow down with, value, and reconsider.

As conservators, our understanding of materiality and what is valued is usually very intimate and innate— and this exhibition happily broke that instinct at every turn. A total delight to encounter these works up close.

🖼️ 𝘚𝘵𝘰𝘯𝘦 𝘚𝘰𝘶𝘱 is now showing at Buxton Contemporary until 11 April 2026 — highly recommend visiting and letting your own perception be challenged.

Back in the studio and pleased to be continuing our recent work with Indigenous art — this time with a painting by the s...
10/09/2025

Back in the studio and pleased to be continuing our recent work with Indigenous art — this time with a painting by the significant Central Desert artist, Warlimpirrnga Tjapaltjarri.

This treatment involved repairing a large puncture tear in the canvas, a delicate process made more complex by the water sensitive pigments and its characteristic matte surface finish. It’s a joy to care for artworks like this, and always a refreshing pleasure to return to the quiet focus of the studio after some busy project and site work 😎

✨We are truly honoured to be part of a monumental exhibition✨At Care Of Studios, we recently assisted with the installat...
04/07/2025

✨We are truly honoured to be part of a monumental exhibition✨

At Care Of Studios, we recently assisted with the installation and conservation treatment of some artworks for ‘65,000 𝘠𝘦𝘢𝘳𝘴: 𝘈 𝘚𝘩𝘰𝘳𝘵 𝘏𝘪𝘴𝘵𝘰𝘳𝘺 𝘰𝘧 𝘈𝘶𝘴𝘵𝘳𝘢𝘭𝘪𝘢𝘯 𝘈𝘳𝘵’, the powerful exhibition currently on show at the newly renovated Potter Museum of Art.

Featuring more than 400 works, the exhibition includes rarely-seen artworks from University Melbourne collections, private collections and beyond. We treated a diverse range of artworks — from painted timber sculpture, woven baskets and contemporary artworks using novel materials — reflecting the ambition to represent the diversity and breadth of Indigenous art practice from a wide range of regions, eras and stories.

We were privileged to support curators Professor Marcia Langton AO, Senior Curator Judith Ryan AM and Associate Curator Shanysa McConville, in deep consultation with Aboriginal and Torres Strait Islander artists and custodians. To work alongside and have access to such expertise and care from artists and communities has been a huge highlight!

🖼️ 65,000 𝘠𝘦𝘢𝘳𝘴: 𝘈 𝘚𝘩𝘰𝘳𝘵 𝘏𝘪𝘴𝘵𝘰𝘳𝘺 𝘰𝘧 𝘈𝘶𝘴𝘵𝘳𝘢𝘭𝘪𝘢𝘯 𝘈𝘳𝘵 is now open! Potter Museum of Art, on display until 23 November 2025.
Don’t miss this extraordinary exhibition!

Amazing what you can achieve with friends and teamwork💪✨Care Of Studios recently teamed up with our brilliant conservati...
27/04/2025

Amazing what you can achieve with friends and teamwork💪✨
Care Of Studios recently teamed up with our brilliant conservation colleagues and to help mount these beautiful Indigenous woven baskets for an upcoming exhibition at the Potter.
Honestly…with every basket we unpacked, we would declare that that one was the best one — we just wanted to keep them all! Each piece is packed with so much skill — it was a privilege and pleasure to work with them up close (and the smell while we were working 🤌😍!)
Grateful for collaborations like this and a chance to help with such an amazing exhibition!

After months of meticulous work, the thread-by-thread repair of holes and tears on this painting for Shepparton Art Muse...
20/02/2025

After months of meticulous work, the thread-by-thread repair of holes and tears on this painting for Shepparton Art Museum is finally complete! 🧵🪢 These microscopic images show just how detailed the process was—carefully reweaving each individual thread before finishing with custom-formulated fills and inpainting to visually reintegrate the repair. It’s been a long journey, but seeing the work whole again and ready to return to display makes all the work worth it! ✨☺️

Back in the studio after a much-needed summer break! Starting 2025 fresh with the surface cleaning of this delightful El...
29/01/2025

Back in the studio after a much-needed summer break! Starting 2025 fresh with the surface cleaning of this delightful Elmer Needham painting depicting some people enjoying the outdoors. Makes us miss those relaxing summer days! ☺️☀️ It’s so satisfying giving this piece a clean start to 2025! Happy new year and Happy Chinese New Year! 🐍🧧

Thrilled to have worked with Buxton Contemporary, helping them with the installation of their latest exhibition ‘Tony Cl...
09/12/2024

Thrilled to have worked with Buxton Contemporary, helping them with the installation of their latest exhibition ‘Tony Clark: Unsculpted’! It was such a pleasure seeing the evolution of Tony Clark’s unique colour palette and motifs throughout his career. In one fascinating period of his practice, he limited himself to only four colours—pink, light blue, raw sienna and black. It just shows what you can achieve even within constraints and definitely made me appreciate this unlikely colour combo! 🩷🩵🧡🖤

Conservation isn’t always confined to the studio - sometimes you’ve got to put on the hi-vis and go out in the wild! 🫡🦺 ...
08/11/2024

Conservation isn’t always confined to the studio - sometimes you’ve got to put on the hi-vis and go out in the wild! 🫡🦺 We’ve been busy over the past month teaming up with Kyi Conservation to restore the iconic Keith Haring Mural in Collingwood after a significant and devastating graffiti attack. Working on site reminded me of how beloved this artwork is to the community.

We sometimes battled against wind and rain but we were fueled by the amazing support of locals who stopped to cheer us on. From bringing much-needed coffees to sharing their incredible memories of Keith Haring’s visit to Melbourne in the early 80s, it’s moments like this that make conservation worthwhile! 💗🥰

Conserving painting one thread at a time! 🪢 Robyn is currently meticulously repairing a hole in the canvas by extending ...
07/10/2024

Conserving painting one thread at a time! 🪢 Robyn is currently meticulously repairing a hole in the canvas by extending and reweaving each individual thread under the microscope. It’s slow and delicate work - but so worth it to preserve the artwork. With the structural repair complete, we’re now ready for aesthetic reintegration and ready for exhibition as part of the Shepparton Art Museum’s collection. These amazing treatment results could not be possible without the new skills gained at the recent Fusion 2 workshop funded by the Getty Foundation!

Conservation sometimes takes you to some hidden places in your own city! 👀 Today I’m up on the scaffold and working at a...
04/09/2024

Conservation sometimes takes you to some hidden places in your own city! 👀 Today I’m up on the scaffold and working at a historic Victorian era house in Coburg close to the studio. We are helping to uncover these gold paintings in an archway that separate the ballroom. The archway was previously bricked in and plastered over, so it was a pleasant surprise to find these paintings still partially intact. It’s exciting to work in this interior from over 100 years ago with many of its original decorative elements remaining. You kinda forget that the Victorians were really bonkers for colour and sparkly gold!

Have just spent an action packed week at the Getty’s Conserving Canvas Fusion 2 Workshop at AGNSW where we learned the s...
28/07/2024

Have just spent an action packed week at the Getty’s Conserving Canvas Fusion 2 Workshop at AGNSW where we learned the single thread bonding technique to repair tears, cuts and losses in canvas paintings. All week we were taught by experts Petra Demuth, Hannah Flock and Laura Hartman on how best to bring the edges of the tear together - sometimes using what looks like torture devices 😅 - and joining each thread back together and repeating the canvas under the microscope. Although I have dabbled in this technique before, it’s just so exciting to learn more tips and tricks and the latest research from the experts so I can do these techniques much more efficiently and be more likely to do more of these tear repairs in the future. Thank you to the Getty Foundation for funding this amazing workshop!

Who would’ve thought we could find another use for the trusty milk crate? Adapted from its usual duties, we crafted this...
06/05/2024

Who would’ve thought we could find another use for the trusty milk crate? Adapted from its usual duties, we crafted this ingenious scaffold to support the detached central totem in place during conservation treatment of this ceramic sculpture. With a little improvisation - and specially formulated adhesives and retouching - the sculpture is now whole again! 🪢🔧✨

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35 Johnston Street
Collingwood, VIC

Opening Hours

Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm

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