CARE Studio

CARE Studio COLLECTIVE ART RESTORATION STUDIO
Conservation-Restoration of Ancien, Modern & Contemporary Art

Paintings - Sculptures - Objects - Installations

Complete restoration – Oil painting on canvas. The artwork was covered with a thick yellowish layer of grime, the result...
02/08/2025

Complete restoration – Oil painting on canvas.
The artwork was covered with a thick yellowish layer of grime, the result of prolonged exposure to a heat source. It also bore multiple layers of oxidized varnish and overpaints. Additionally, the canvas had been relined, which made it overly rigid.
The treatment included the consolidation of lifting paint layers, surface cleaning and removal of varnish and overpaints. The relining canvas was removed, and the original canvas was reinforced. It was then followed by the filling of losses, inpainting, and final varnishing.
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The studio - structural treatments area.--
30/07/2025

The studio - structural treatments area.
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EN/ Yesterday, conservators Alexis Guillou (CARe Studio) and Aline Genbrugge, shared their expertise on panel paintings ...
08/05/2024

EN/
Yesterday, conservators Alexis Guillou (CARe Studio) and Aline Genbrugge, shared their expertise on panel paintings and structural conservation with the Monumentenwacht during a full day of theory and workshop within the museum collection of the Fine Arts Belgium

We would like to aknowledge Monumentenwacht's efforts and commitment in preserving Belgian cultural heritage !

FR/
Hier, les restaurateurs Alexis Guillou (CARe Studio) et Aline Genbrugge ont partagés leur expertise sur les peintures sur panneaux et leurs conservation structurelle avec Monumentenwacht lors d'une journée alternant théorie et pratique dans les collections du musée Fine Arts Belgium.

Nous souhaitons saluer les efforts et l'engagement du Monumentenwacht dans la sauvegarde du patrimoine Belge !

NL/
Gisteren deelden restauratoren Alexis Guillou (CARe Studio) en Aline Genbrugge hun expertise over paneelschilderingen en de structurele conservering ervan met Monumentenwacht tijdens een dag waarin theorie en praktijk elkaar afwisselden in de collecties van het Fine Arts Belgium !

Wij prijzen de inzet en betrokkenheid van Monumentenwacht bij het behoud van het Belgische erfgoed !

Last October our colleague Alexis Guillou (painting conservator) presented the work  undertaken at .be with Aline Genbru...
14/12/2023

Last October our colleague Alexis Guillou (painting conservator) presented the work undertaken at .be with Aline Genbrugge. Their talk was about the structural conservation of the panel painting « Cabinet of curiosity of van der Geest » 1628, by Willem van Haecht from the . The main focus was the study of the mechanical behaviour of its peculiar structure and the adapation of pre-existing support for its treatment.

Thank you to for making this event possible and for bringing together experts
from around the world to share our passion and knowledge. We cannot wait for the next event. Publication will be out on 2024. You can check website for more info

Alexis Guillou, painting conservator, working at the studio - applying putty to an oil painting on a wooden panel.--    ...
08/12/2023

Alexis Guillou, painting conservator, working at the studio - applying putty to an oil painting on a wooden panel.
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Satenik Aeschi (synthetic material conservator) could participate to the one week workshop « Treatment Strategies for Ou...
24/10/2023

Satenik Aeschi (synthetic material conservator) could participate to the one week workshop « Treatment Strategies for Outdoor Painted Sculpture » organised by the Getty Conservation Institute. Thank you for this interesting week.

Work undertaken by our colleague Marianne Rochebeuf at Deir el-Medina : mission d'étude et de conservation in Luxor ➡️
23/02/2023

Work undertaken by our colleague Marianne Rochebeuf at Deir el-Medina : mission d'étude et de conservation in Luxor ➡️

Deir el-Medina Season 2023: Marianne Rochebeuf
Institut d'égyptologie Khéops

Avec l’aide du Fonds Khéops de soutien à l’Archéologie, l’équipe de conservation des décors et sculptures en pierre a pu réaliser l’étude et la documentation des fragments du sarcophage appartenant à la tombe TT_3 de Pached. Le relevé tridimensionnel de chaque bloc permettra son remontage et sa restauration in situ l’année prochaine.

Thanks to the Fonds Khéops de soutien à l’Archéologie, the conservation team of stone decors and sculptures could study and document the fragments of the sarcophagus belonging to Pashedu Tomb TT_3. The tridimentionnal modelling of each block will allow its reassembly and restoration in situ next year.

بمساعدة صندوق Khéops لدعم علم الآثار تمكن فريق ترميم الجداريات والمنحوتات الحجرية من دراسة وتوثيق اجزاء التابوت الحجري الذي ينتمي إلى المقبرة رقم 3 "باشيدو" وسيسمح المسح ثلاثي الأبعاد لكل كتلة بإعادة تجميعها وترميمها في مكانها الاصلي الموسم المقبل.

Unlocking a huge cradle on a XVIth century panel painted by Marteen de Vos. Work undertaken by Alexis Guillou in collabo...
23/02/2022

Unlocking a huge cradle on a XVIth century panel painted by Marteen de Vos. Work undertaken by Alexis Guillou in collaboration with Etienne Costa (freelance painting conservator)

Restretching operation of a PVC (polyvinyl chlorade) film on a non-adjustable wooden stretcher. This treatment has allow...
22/02/2022

Restretching operation of a PVC (polyvinyl chlorade) film on a non-adjustable wooden stretcher. This treatment has allowed to recover the homogeneity of the overall appearence. In the following picture taken under racking light, the deformations are no longer visible after restoration. Artwork of Walter Leblanc. Restoration undertaken by Satenik Aeschi.

Impressive cleaning test on a limestone sculpture covered by a non original oil-resin coating. As a consequence of aging...
07/11/2021

Impressive cleaning test on a limestone sculpture covered by a non original oil-resin coating. As a consequence of aging and exposure to the ambient conditions outside , the coating has formed this peculiar “panther” pattern which alters the original surface and the overall appreciation of the artwork.

Intervention undertaken by Marianne Rochebeuf with ARCAMS, France

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