10/06/2026
A few days ago, I was on the metro with a friend.
While scrolling on her phone, she suddenly said:
“Wait… has The Devil Wears Prada 2 already come out? I’m so tired of seeing it everywhere.”
And that really made me pause.
Because the film hasn’t even been released yet.
But in many people’s perception, it already feels like it’s “everywhere.”
It got me thinking: how much hype is actually too much hype?
The launch of this film (or more precisely, the narrative built around its launch) has been carefully crafted down to the smallest details: rumors, fragmented content, nostalgia-driven references, cultural callbacks, constant social media presence.
On paper, it’s a perfect strategy.
It builds anticipation, conversation, desire.
But there’s a subtle point that often gets overlooked: when hype stops being desire… and starts becoming saturation.
In general, hype works when it:
sparks curiosity without revealing everything
leaves space for imagination
builds gradually over time
It works less when:
it’s constant and everywhere
there’s no breathing room
there’s nothing left to discover
Because at that point, people stop waiting with excitement… and start feeling tired of it.
And this doesn’t only apply to cinema.
In marketing, product launches, design, even bespoke projects: anticipation is a powerful tool. But it needs to be handled carefully.
More attention doesn’t always mean more value.
Sometimes the real skill is knowing when to pause, when to step back, when not to say anything at all.
Maybe the real question isn’t just “how do you create hype?”
But also:
when is hype actually helping the project… and when is it quietly exhausting it?
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Marco Cngm
Cristiana Carpini
Adriano Carà
Marle Pi
Matilde Prospato
Mikele Trambusti
Giuditta Regini
Cristina Brambini
Paul Anderson