smarin

smarin design studio Company : smarin
Designers :
Stéphanie Marin
Céleste Boursier-Mougenot
Sebastian Bergne
Marco Ferreri

Idiorythmia • New collectionMYCELIUM LIVINGSTONESfrom Livingstones to ephemeral eventful mycelium grown forms­A family o...
21/05/2026

Idiorythmia • New collection
MYCELIUM LIVINGSTONES

from Livingstones to ephemeral eventful mycelium grown forms
­
A family of soft, organic volumes cultivated from mycelium — the living root network of fungi. Each piece is grown rather than manufactured, shaped in moulds derived from the original Livingstones vocabulary.
Lightweight, tactile forms with a warm, mineral-like presence — seats, low tables, or landscape elements that invite the body to settle, lean, gather.
Designed to meet the temporality of semi-ephemeral contexts — events, pop-up spaces, seasonal installations, short- and medium-term programmes — where furniture is needed intensely, then must disappear without a trace. 
At end of use, each piece returns to the soil: fully compostable, leaving no waste, no storage burden, no
dismantling.
Mycelium offers remarkable properties: acoustic absorption, thermal comfort, natu-
ral fire resistance, and full compostability at end of life.

By replacing industrial foams with a living organism, the Mycelium Livingstones extend the circular logic at the heart of smarin’s practice: from earth, back to earth.

materials
mycelium composite (agricultural substrate + fungal mycelium), 100% biodegradable organic mould forms

· Idiorythmia new collections •CHICHI : a bouncing stool Where conventional seating asks the body to hold still, CHICHI ...
18/05/2026

· Idiorythmia new collections •
CHICHI : a bouncing stool
Where conventional seating asks the body to hold still, CHICHI invites micro-motion: rebounding, swaying, finding and maintaining balance. The body stays active, never locked into a single posture but continuously adjusting through play. This research extends the rebound principle first explored in the sChaise : the idea that a springy seat generates dynamic muscular engagement, supports healthy posture, and sustains attention.

No two bodies sit on CHICHI the same way. The seat becomes a personal rhythm instrument: a place where bodily intelligence is not directed toward a task, but freed as its own end.

In a world of static furniture and sedentary habits, CHICHI proposes a counter-position : the devoir de fun — an insistence that pleasure, movement, and play are a necessary foundation.

materials
solid wood from industrial offcuts
wool from textile waste streams (MARLAINE R&D) — from waste to conversation

meet us in Milano 📍
· solo show at 
· design & space planning sessions at 
· participation of Scuola Del Design - Politecnico di Milano .design.polimi
· permanent space Gioco at Triennale Milano

Institut Français Milanoexhibition • IDIORYTHMIA •On the occasion of Milan Design Week 2026, and through June,  invites ...
04/05/2026

Institut Français Milano
exhibition • IDIORYTHMIA •

On the occasion of Milan Design Week 2026, and through June, invites the smarin studio to present IDIORYTHMIA.
This new chapter explores how our contemporary lives are shaped by multiple temporal regimes—sometimes harmonious, often dissonant—including biological rhythms, technological cadences, institutional temporalities, urban flows, production cycles, ecological dynamics, and the economy of attention.
Building on this observation, smarin develops a design approach attentive to the tensions between speeds, viewed not only as constraints but also as realities to be observed, interpreted, and transformed.

“Inter·Rhythmic Studies” defines an operational framework for designing environments that integrate rest and ecological regeneration as spatial functions, and foster an awareness of the rhythms of materials, spaces, objects, and bodies.

from the 20.04 to the 06.06
corso magenta 63, Milan
🔗 registration

23/04/2026

smicrosociology 

MILANO DESIGN WEEK 2026
smarin presents IDIORYTHMIA :
Inter·rhythmic studies

Contemporary life unfolds within overlapping temporal regimes:
biological rhythms, technological schedules, institutional timetables, urban flows, production cycles, environmental dynamics, industrial ecologies, and attention economies.

Drawing on the rhythmanalysis of Henri Lefebvre, and informed by research in the social sciences and psychology, Inter·Rhythmic Studies investigates the role of rhythm in everyday life. Rather than treating tensions between heterogeneous velocities as disturbances to be neutralized, the project examines how such frictions can be documented, interpreted, and transformed into design opportunities.

The inquiry foregrounds idiorythmy—a concept developed by Roland Barthes to describe the coexistence of singular rhythms within a shared milieu—as a key paradigm for rethinking spatial organization and contemporary forms of collectivity. In collaboration with design theorist , we propose a transdisciplinary platform in which conceptual speculation is embodied in tangible dispositifs, establishing a living laboratory of rhythmic experimentation. 

Meet us in Milano 📍
· solo show at 
· design & space planning sessions at 
· participation of Scuola Del Design - Politecnico di Milano .design.polimi
· permanent space Gioco at Triennale Milano

23/04/2026

GRAZIE - Inauguration Party
MILANO DESIGN WEEK 2026
Institut français Milano - smarin presents IDIORYTHMIA
20.04 to 06.06.26 - Corso Magenta 63, Milan

— solo show at
— design & space planning sessions at
— participation of Scuola Del Design - Politecnico di Milano .design.polimi

Institut français Milano invites smarin to present IDIORYTHMIA,
a solo exhibition opening a new research cycle developed with art and design historian : Inter·Rhythmic Studies. It defines an operational framework for designing environments and furniture that integrate rest and ecological regeneration as spatial functions, and foster an awareness of the rhythms of materials, spaces, objects, and bodies.

GRAZIE 🤌

• Rythmic portraits •MILANO DESIGN WEEK 2026smarin presents IDIORYTHMIA : Inter·rhythmic studiesContemporary life unfold...
21/04/2026

• Rythmic portraits •

MILANO DESIGN WEEK 2026
smarin presents IDIORYTHMIA :
Inter·rhythmic studies

Contemporary life unfolds within overlapping temporal regimes:
biological rhythms, technological schedules, institutional timetables, urban flows, production cycles, environmental dynamics, industrial ecologies, and attention economies.

Drawing on the rhythmanalysis of Henri Lefebvre, and informed by research in the social sciences and psychology, Inter·Rhythmic Studies investigates the role of rhythm in everyday life. Rather than treating tensions between heterogeneous velocities as disturbances to be neutralized, the project examines how such frictions can be documented, interpreted, and transformed into design opportunities.

The inquiry foregrounds idiorythmy—a concept developed by Roland Barthes to describe the coexistence of singular rhythms within a shared milieu—as a key paradigm for rethinking spatial organization and contemporary forms of collectivity. In collaboration with design theorist , we propose a transdisciplinary platform in which conceptual speculation is embodied in tangible dispositifs, establishing a living laboratory of rhythmic experimentation. 

Meet us in Milano 📍
· solo show at 
· design & space planning sessions at 
· participation of Scuola Del Design - Politecnico di Milano .design.polimi
· permanent space Gioco at Triennale Milano

18/04/2026

MILANO DESIGN WEEK 2026
smarin presents the woodworking session at to produce the RE-U construction system.

Presented at the Ground Hall of BASE Milano, RE-U transforms the space into an adaptive organism. 
This solid oak furniture system, made from secondary resources, is based on a fundamental principle: reversibility.Designed as a hybrid solution for evolving spaces, it allows for a wide variety of configurations: seating, desks, partitions, platforms, tables, storage units, or micro-architectures. 
This multi-functional dimension enables a space to be quickly adapted to different uses, offering structural flexibility, durability, comfort, and sound insulation.

from 17.04 - Milan V. Ambrogio Bergognone da Fossano, 34
23.04 - Talk bringing together smarin studio and design theorist Emanuele Quinz, moderated by Alessandro Scarano, Web Editor at Domus.

Meet us in Milano 📍
· solo show at 
· design & space planning sessions at 
· participation of Scuola Del Design - Politecnico di Milano .design.polimi
· permanent space Gioco at Triennale Milano

17/04/2026

MILANO DESIGN WEEK 2026
smarin presents IDIORYTHMIA at
20.04 — 6.06.2026
22.04 - inauguration party

Institut français Milano invites smarin to present IDIORYTHMIA, a solo exhibition opening a new research cycle developed with art and design historian : Inter·Rhythmic Studies. It defines an operational framework for designing environments and furniture that integrate rest and ecological regeneration as spatial functions, and foster an awareness of the rhythms of materials, spaces, objects, and bodies.

Institut français Milano
Corso Magenta 63, Milan

Meet us in Milano 📍
· solo show at 
· design & space planning sessions at 
· participation of Scuola Del Design - Politecnico di Milano .design.polimi
· permanent space Gioco at Triennale Milano

Join the woodworking session at  to produce the Re-U system, part of the Idiorythmia exhibition for We Will Design 2026,...
08/04/2026

Join the woodworking session at to produce the Re-U system, part of the Idiorythmia exhibition for We Will Design 2026, initiated by , and the participation of .design.polimi

from 7 to 11 April.

It is a reversible, polymorphic furniture-system, designed to continuously reconfigure the space: from agora to screening room, from workspace to convivial area, and even to a performance stage or simply a place to stay, with capsules dedicated to rest. The Ground Hall thus becomes an adaptive organism, shifting in function and atmosphere according to the uses and communities that pass through it.

IDIORYTHMIA – RE-U is not only a spatial device. It is also an intervention that weaves together aesthetics and a political stance, bringing back to the centre a question that is too often overlooked: the economic sustainability of cultural work. Artists and designers, especially emerging ones, often struggle to afford accommodation in major cities during key moments such as Design Week—precisely when the need for encounter, exchange, and interdisciplinary dialogue becomes most urgent and generative.

C’est la rentrée !ECOLETOPIE x ÉCOLE SAINT-CHARLES - MONACOECOLETOPIE is a proposed classroom layout, featuring new peda...
20/09/2024

C’est la rentrée !

ECOLETOPIE x ÉCOLE SAINT-CHARLES - MONACO

ECOLETOPIE is a proposed classroom layout, featuring new pedagogical practices based on system-furniture and tool-objects.
In this classroom, children will be able to develop their biomechanical potential, become aware of the importance of their posture and the role of the collective, and practice a form of aesthetic, sensitive interaction, without the aim of creating or producing.
A time dedicated to experimentation, as a counterpoint to speed and digital abundance. The proposal works to develop critical thinking by engaging students in their environment, cultivating the ability to concentrate and create meaning for the acquisition of expected competencies in the cycle of in-depth studies
Ecoletopie is not just a physical territory, a place for exploring new behaviors, it also opens the doors to shared cognitive spaces.

Thanks to:



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14, Ruelle Du Ruisseau
Nice
06300

Heures d'ouverture

Lundi 09:00 - 17:00
Mardi 09:00 - 17:00
Mercredi 09:00 - 17:00
Jeudi 09:00 - 17:00
Vendredi 09:00 - 17:00

Téléphone

+33493528926

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