03/09/2026
If I was in charge of the Edinburgh Fringe, I’d have a Scottish voice on every stage. What do ye reckon?
Even though I grew up a couple of hours away from Edinburgh this has been the first year ever I’ve felt properly immersed in and The Edinburgh International Book Festival. Wow! I bloody loved it!
For the unfamiliar - the population of Edinburgh trebles for the month of August. Millions of tickets are sold for over 50,000 separate performances in several hundred different venues. Wild.
The Edinburgh Fringe is undoubtedly a beautiful thing. Of course it’s not perfect. I’ve seen multiple accounts sharing the average cost of having a show here is between £6-£10k. Not to mention the tiny % of performers that are from a working class background. Anywaaaay….
I’m not here to officially critique the worlds largest cultural festival BUT I am here to say the lack of Scottish voices on these stages done ma nut in! I think a lot about who has access to spaces and whose voices and stories we hear (this is the very core of what UPFRONT - changing confidence for 10 million women 💥 is about) Far too many Londoners (some amazing people but c’mon!) when we’ve got so much incredible talent right here!
Awfi grateful for Michael Pedersen and Douglas Stuart and and I left their event feeling so damn proud to be Scottish. I was moved when Douglas spoke about the beauty and the talent of the working class that we don’t get to see and witness. And I’m so full of ideas for us. I’d have loved more of that and more Scottish women.
What would you change about the Edinburgh Fringe / Book Festival?
Ps. Aye of course I’ve already pitched my expertise to the programming team so hopefully I’ll be hosting next year 💁🏻♀️🙋🏻♀️