21/08/2026
One of the most valuable conceptual insights I have encountered in my recent research came from Crystal Abidin’s work on visibility labour.
I came across Abidin’s (2016) article while exploring influencer marketing, digital identity, and the growing pressure individuals and brands face to remain visible within contemporary attention economies.
What immediately stood out to me was her conceptualisation of visibility not simply as an outcome, but as something that requires continuous work.
Abidin (2016) demonstrates how influencer visibility is produced through a range of practices surrounding content creation, self-presentation, audience engagement, and commercial communication.
This perspective encouraged me to look beyond the visible Instagram post and consider the labour that takes place behind it. Planning content, producing and editing images, maintaining relationships with audiences, responding to engagement, managing one's persona, and adapting to platform expectations can all become part of the work required to remain visible.
What I found particularly valuable was the way the concept makes invisible labour visible. The audience encounters the finished content but often does not see the time, emotional energy, creativity, relational work, and strategic decisions that make that visibility possible.
Abidin’s (2016) contribution therefore provides an important foundation for understanding how visibility can function as a form of labour within influencer cultures and digital economies.
However, engaging with this concept led me to another question: If visibility requires labour, who are the agents that make visibility possible? The more I explored this question, the more I became convinced that visibility cannot be understood entirely as an individual achievement.
An influencer may create the content, but platforms distribute it, algorithms influence its exposure, audiences amplify it, brands commercialize it, and media or institutions may legitimize it. This led me to begin thinking about Visibility Agents.
This distinction is important because it moves the conversation from “Who is visible?” to “How is visibility produced?” and, ultimately, “Who benefits from that visibility?”
I am particularly interested in four questions: Who gets to be seen? Who performs the labour of making visibility possible? Who controls the conditions under which visibility is distributed? And who captures the value created by visibility?
These are questions we must find answers to.
Reference
Abidin, C. (2016). Visibility labour: Engaging with influencers’ fashion brands and advertorial campaigns on Instagram. Media International Australia, 161(1), 86–100.