Lazer Infotec Solutions

Lazer Infotec Solutions LAZER is the specialized distributor, dealer, supplier, sales and service provider of all IT Solution Products like Desktops & Laptops, Servers, Printers,

LAZER infotec solutions takes pleasure in bringing to your kind attention for achieving a pinnacle of success in the field of office automation since it’s inception in 2002. LAZER is the specialized distributor, dealer, supplier, sales and service provider of all IT Solution Products like Desktops & Laptops, Servers, Printers, Scanners, Peripherals, Consumables, Accessories, LCD / DLP projectors,

Cinema projectors, Slide Projectors, PanaBoard, Interactive Board, LED Video wall, Digital Signage, Audio & Video Conference Equipments, Photocopier, P.A. Systems, Home Theatre Solutions and so on. In the period of our service we have earned the confidence of all our clients and have grown to become a strong part of their vendor team.

20/01/2014

LAZER is the specialized distributor, dealer, supplier, sales and service provider of all IT Solution Products like Desktops & Laptops, Servers, Printers,

Microsoft Acquires Nokia’s Devices & Services BusinessMicrosoft Corporation and Nokia Corporation Tuesday announced that...
09/01/2014

Microsoft Acquires Nokia’s Devices & Services Business



Microsoft Corporation and Nokia Corporation Tuesday announced that the Boards of Directors for both companies have decided to enter into a transaction whereby Microsoft will purchase substantially all of Nokia’s Devices & Services business, license Nokia’s patents, and license and use Nokia’s mapping services.

Under the terms of the agreement, Microsoft will pay EUR 3.79 billion to purchase substantially all of Nokia’s Devices & Services business, and EUR 1.65 billion to license Nokia’s patents, for a total transaction price of EUR 5.44 billion (approximately $7.2 billion or Rs. 47,000 crores, as per Tuesday’s exchange rate) in cash. Microsoft will draw upon its overseas cash resources to fund the transaction. The transaction is expected to close in the first quarter of 2014, subject to approval by Nokia’s shareholders, regulatory approvals and other closing conditions.

“It’s a bold step into the future – a win-win for employees, shareholders and consumers of both companies. Bringing these great teams together will accelerate Microsoft’s share and profits in phones, and strengthen the overall opportunities for both Microsoft and our partners across our entire family of devices and services,” said Steve Ballmer, Microsoft chief executive officer. “In addition to their innovation and strength in phones at all price points, Nokia brings proven capability and talent in critical areas such as hardware design and engineering, supply chain and manufacturing management, and hardware sales, marketing and distribution.”

Microsoft also announced that it has selected Finland as the home for a new data center that will serve Microsoft consumers in Europe. The company said it would invest more than a quarter-billion dollars in capital and operation of the new data center over the next few years, with the potential for further expansion over time.

Paper money to plastic money and now virtual money: FACEBOOK CREDIT“There’s just going to be one currency that people us...
07/01/2014

Paper money to plastic money and now virtual money: FACEBOOK CREDIT

“There’s just going to be one currency that people use,” Facebook founder and chief executive Mark Zuckerberg recently said. What he means is that the company’s virtual currency, Credits, will take the place of the lucrative ones that social application developers have already built.

Facebook Credits are online currency unique to facebook users. You can purchase Facebook Credits using your credit card, PayPal, or a mobile phone. Members can purchase 10 credits for a dollar that they can use as virtual money to purchase online goods and use them while they play games.

Farmville got more than 83,000,000 + active users and Mafia wars claimed around 25,000,000 + active users and these figures are changing drastically, now many of these users tend to buy credits so as to boost their game with premium items available at a cost, Facebook gets around 30% of these transactions, great money involved isn’t it.

It may seem crazy and insane to get people pay real money for virtual credits, but this is how many of the social networks succeeded and the above stated facts and Facebook’s astronomical success proves my point. Today there are more than 500,000 applications that exist on Facebook successfully integrating virtual goods within these applications (particularly games) thus becoming an increasingly valuable part in providing user an amazing online experience. By providing a single, cross-application currency, the goal is to making transactions simpler for users, leading to a higher conversion rate for developers.

More and more big developers have begun offering Credits as a payment option, it appears, as a result of encouragement from Facebook. Although large developers still enjoy many advantages of scale, not the least of, which is their ability to drive significant cross promotions and optimize revenues more powerfully across a broader portfolio of games, building custom innovations in the payments layer will soon no longer be one of them in the same way it has been – though much of the operational infrastructure around customer support and security will still continue to be vital.

04/01/2014

Interactive Public Displays


We investigate how to reveal an initial mid-air gesture on interactive public displays. This initial gesture can serve as gesture registration for advanced operations. We propose three strategies to reveal the initial gesture: spatial division, temporal division, and integration. Spatial division permanently shows the gesture on a dedicated screen area. Temporal division interrupts the application to reveal the gesture. Integration embeds gesture hints directly in the application.

We propose a novel initial gesture called Teapot to illustrate our strategies. Our main findings from a laboratory and field study are: A large percentage of all users execute the gesture, especially with spatial division (56%). Users intuitively discover a gesture vocabulary by exploring variations of the Teapot gesture by themselves, as well as by imitating and extending other users’ variations.

How to choose a home theater projectorPlus tips on screen selection and setupProjectors provide the ultimate home theate...
04/01/2014

How to choose a home theater projector

Plus tips on screen selection and setup

Projectors provide the ultimate home theater experience. Nothing else comes as close to truly re-creating the viewing experience of a movie theater. Imagine the bewitching beauty of Avatar's planet Pandora spread out before you. Or a close-up shot of Jeff Beck's fingers coaxing delicate harmonics out of his Stratocaster. Picture a 240-pound linebacker barreling straight at you. Or a video game villain swinging a sword big enough to splinter your coffee table. Projectors deliver all that and more — images bursting with cinematic detail and color across a larger-than-life screen measured in feet, not inches.

Projectors: The basics
A projector is part of a two-piece system: the projector and the screen. Today's digital projectors are a snap to set up and use, and many models are compact and lightweight enough to be considered portable. You can place a projector on a coffee table or out of view on a bookcase or shelf in the back of your room. Or you can ceiling-mount your projector (we have mounts for most of the models we carry). Projector screens come in a variety of sizes, and can be free-standing, wall-mounted, or retractable (manual or motorized). Skipping a screen and and projecting images directly onto a wall surface can look OK, but a screen delivers a smoother, more consistent image, and helps any projector perform at its best.

Epson Home Cinema 3020
A high-def projector is a practical, cost-effective way to enjoy cinema-like picture size and quality in a home theater.
Since the image is projected onto a separate screen, everything inside a projector is dedicated to creating the sharpest, most realistic picture possible. You'll find a high-resolution imaging chip (DLP, LCD, or LCoS), an ultra-high-intensity lamp, superb scaling circuitry, top-grade optics, and a wide selection of video inputs. What you won't find is any type of built-in TV tuner. Typical video sources include Blu-ray players, satellite receivers or cable boxes, video game consoles, and media streamers like Apple TV®.

Projectors not only deliver the largest — and some of the highest-quality — images available for home theater, they're also frequently a better value than mega-sized flat-panel TVs if you figure the cost per inch of screen. And because you're projecting an image onto a wall or separate screen, there's no glass involved, so you'll see absolutely no reflection or glare from the screen.

Is a projector for you?
There are a couple of key things to be aware of if you're considering a projector. First, your room lighting: for the best projector performance in a home theater, you should be able to substantially reduce or eliminate light in the room, whether it's daylight or room lights. Rooms with few windows are good candidates, especially if your viewing is heavy on movies. If you plan to use a projector in a room that gets a lot of sunlight, you may decide to limit your viewing to after dark, or consider installing blackout shades on the windows. Many LCD projectors, like the Epson models we sell, can produce very bright images that can be enjoyed even in rooms with some ambient light. Because of the lighting issue, projector owners generally use other TVs for some or most of their everyday viewing, and reserve the projector for "event" viewing or gaming.

Second, your viewing habits and the life of your projector's lamp: LCD and DLP projectors typically have a lamp life of 2000-5000 hours. The hour rating actually represents the lamp's "half-life" — the point where its brightness has diminished by half. A lamp will still work past its half-life, but it will continue to gradually lose brightness. When you replace the lamp (it's easily user-replaceable), picture quality returns to like-new brightness. But you won't be able to simply run to the hardware store for a lamp. These projectors use special high-pressure lamps that cost between $200 and $500. Projector owners who primarily watch movies and special events run their projectors an average of about 8 hours a week. For a projector with a 2000-hour lamp, that translates to 4-5 years of use. But if you use a projector as your main TV, logging say 4 hours per day, you'll be looking at lamp replacement in under a year and a half.

Projector back panel
Projectors have the same video inputs you find on most HDTVs, including multiple HDMI inputs for high-def video sources like a Blu-ray player.
Things to consider when shopping for a projector
These days, the projectors from major manufacturers all look impressive. But of course, each has its own unique strengths and weaknesses, and no single model will be the best choice for all rooms and signal sources. You can get a general idea about how a projector will perform by comparing these three key specifications.

Resolution: The number of pixels on the imaging chip measured from side to side and top to bottom. Nearly all high-definition projectors made for home theater use are 1080p — 1920 x 1080 pixels. The higher the resolution the smaller each pixel will appear, producing images that look more seamless, with less noticeable "pixel structure." A projector's built-in scaler will upconvert or downconvert all incoming signals to precisely match its "native resolution."

Picture contrast: Contrast is one of, some say the, most important factor of picture quality. The contrast ratio spec measures the difference between the whitest whites and the blackest blacks a projector can show. A higher contrast ratio makes it possible to display deeper blacks and more subtle color detail. Good contrast is critical for home theater projectors. In fact, many models include multiple lamp settings that let you reduce brightness and boost contrast ratio for optimum viewing in a darkened room.

Light output (brightness): Home theater projectors typically have brightness ratings of 700-2500 lumens. All projectors have plenty of brightness for watching movies in a dimly-lit or darkened room. A higher brightness rating will come in handy for viewing when there's more ambient room light. It's also helpful if you're projecting onto a wall (it's less reflective than a screen), or if you're displaying an extra-large image (110" or larger).

3D: If you've seen a well-made 3D movie in a theater you know that 3D viewing works really well with projected images, and that's true for home theater projectors, too. Epson's 3D models have received raves from reviewers and home cinema fans for their sharp, clear 3D images. Epson's projectors have plenty of light power, which is helpful for 3D because the 3D glasses dim the picture noticeably. You don't need a special screen for 3D, although a more reflective surface — indicated by a higher "screen gain" spec — will also help ensure that 3D images look bright and crisp.

Wireless HDMI transmitter
Epson's wireless HDMI transmitter module has inputs for up to four high-def video sources. The wireless receiver is built into the projector.
Wireless HDMI: Some movie fans thinking about upgrading from a TV to a projector may hesitate because of installation issues — mainly, how to connect their components to the projector without running cables across the floor. Epson has the answer with their projectors with wireless HDMI. The wireless receiver is built into the projector chassis, while the small transmitter module is placed near your video sources. Just connect an HDMI cable between your component and the transmitter and you're done. The transmitter sends a flawless 1080p high-definition picture wirelessly, with a range of up to 32 feet between the transmitter and the projector (both must be in the same room).

Lens shift: Another feature that makes installing a projector easier is lens shift. It allows you to move the projected image up or down, left or right, while keeping the projector stationary. This opens up more placement options because you can position the projector off-center in relation to your screen and still get a perfectly true image.

Projector placement tips
If you plan to use your projector mainly for "event viewing" — movies at night, along with the occasional sports broadcast — the simplest option is to place the projector on a table or other flat surface, and keep it stowed away in a closet or cupboard when you're not using it. Remember: most projectors have no sound capability, so to watch a Blu-ray movie, you'll need to connect your player's video output to the projector, and run the audio to your A/V receiver. And speaking of sound, if the projector will be located near you, look for a model with a quiet cooling fan.

If you have more of a dedicated home theater in mind (or if you want to keep your projector out of the reach of small children), you can ceiling-mount it. This makes for a neat, uncluttered look, but it does call for some DIY skills. We carry ceiling mounts for most of our projectors, so that part is straightforward. But, the projector also needs AC power, plus a video connection from any source you want to feed to it. It's not a problem for new construction, or if you're remodeling, but trickier in a finished room (especially if there's not an attic overhead). Check out our guide to in-wall wiring for installation tips, or consider a projector with wireless HDMI.

Projector placement
A projector's image doesn't follow the lens precisely, like a flashlight. The image is offset a bit to allow placement on a table or ceiling mounting. This means that the image is raised somewhat for table placement (see above), and similarly lowered for ceiling mounting (see below). For ceiling mounting, you'll also turn the projector upside-down.
Ceiling projector placement
A quick look at installation considerations
As you compare projector features and performance, it's also a good idea to keep a few installation issues in mind. First, you'll want to have at least a rough idea of how large an image you want to project, because that will affect the distance between the projector and your screen. With any projector, the further you position it from your screen, the bigger the image will be. But different projectors have different "throw ratios." The throw ratio is the relationship between a projector's distance from the screen and the width of the image. A projector with a "short-throw" lens projects a larger image for a given distance from the screen, so it's a smart choice for smaller rooms where the projector is placed relatively close to the screen. Long-throw projectors are good for ceiling-mount situations where the projector will be placed further back in the room, behind the viewing position.

If your projector will be ceiling-mounted, it's important to make sure the lens is parallel to the screen. That helps ensure that your image will be true, with straight edges on all sides. If a projector isn't correctly aligned in relation to the screen, the image will look like a trapezoid instead of a rectangle — the top of the image will be wider than the bottom, or the left side will be taller than the right side, for example.

Fortunately, there are two ways to fix picture shape: lens shift and keystone correction. Lens shift lets you tweak the position of the lens inside the projector, so you can compensate for your projector being slightly off-axis. Keystone correction, on the other hand, adjusts the image's shape using internal processing that can slightly degrade the quality of the image. Nearly all projectors offer keystone correction, but only some offer lens shift.

Finally, consider the fact that the high-output lamps in projectors generate a lot of heat. Wherever you end up placing your projector, be sure to leave plenty of space around it to ensure proper ventilation.

Epson Home Cinema 3020
A motorized retractable screen remains hidden when not in use. When it's movie time, just touch a button on the remote and the screen lowers quietly into position.
Choosing your screen size and type
Because it contains none of the electronics, a projection screen can be literally paper-thin. Whether your screen is free-standing, mounted to the wall, or retractable from the ceiling, it will save considerable floor space compared to a large, free-standing TV. When it comes to screen size, many people feel that bigger is automatically better. But that's not always the case. Projecting too large an image may produce a picture with less than optimum brightness, or noticeable pixel structure.

The size of the image also determines how far you should sit from the screen for optimum viewing. For an HD-capable projector, the general rule of thumb for viewing distance is 1-1/2 times the screen diagonal — so if your screen's diagonal measurement is 96" (8 feet), you would want to sit about 12 feet from the screen. Of course, viewing distance is highly subjective. After all, in a movie theater, folks naturally spread out from the front row to the back, and everywhere in between.

Aside from screen size, and deciding between a manual pull-down, motorized retractable, or fixed-frame design, the other major consideration is screen "gain." Gain measures the amount of light reflected by the screen back at viewers — higher gain means more reflected light and a brighter image. Different screen coatings applied to the base vinyl screen material are how different gain values are achieved. Higher brightness is helpful with very large screens, or in rooms with significant ambient light, but as the screen gain increases, the optimum viewing angle decreases — it becomes more important that viewers sit more directly in front of the screen rather than off to the sides.

SummaryJust a year ago, finding “affordable” 1080p front projection meant writing a check for at least 5 zeroes – and ev...
04/01/2014

Summary

Just a year ago, finding “affordable” 1080p front projection meant writing a check for at least 5 zeroes – and even then, you were more likely than not to sacrifice features for dollars. Happily, prices on equip-ment are beginning to come down, although, for the most part, they continue to put such systems out of reach for the average, everyday consumer. So while jumping on the bandwagon nonetheless requires a significant cash outlay, even today, Epson’s early outing into the $3000 USD dollar price range still seems a good place to start.

Features and Design

The 3LCD technology featured in Epson’s PowerLite Home Cinema 1080 comes housed in a fairly mid-sized chassis. However, the white, slightly Euro-curved shape doesn’t dominate a room and comes off as unobtrusive should it be left in sight. It’s also lightweight enough for moving between viewings if necessary.

As for actual picture quality, front projectors using LCD panels (as is the case here) seem to offer a “tighter” image with less brittleness than those relying on a color wheel. That said, with a true widescreen format, full 1080p resolution and HDMI 1.3 providing the latest update for full color rendering, using the HDMI input is going to be the Home Cinema 1080 owners’ best choice for video.

Granted, there’s also the expected component, S-Video and composite ports along with a PC input and RS232C for automation. (Plus a trigger for activating a motorized curtain, etc.). Either way though, aspect ratios will be automatically set (you can also choose to “zoom” into 16:9 formatted images and “stretch” full screen into wide angle).

IR windows both front/back further let you roam when using the remote, although button controls can also be found on the projector’s top. These can be deactivated, but you will still have to touch the projector now and then since none of the lens functions are motorized.

Epson PowerLite Home Cinema 1080
Image Courtesy of Epson

Installation/Setup/Ease of Use

Squaring the projector to the screen is the first and most important step – personally, I’m aiming dead to center while resting it on a small table facing my wall-mounted 84” screen.

After turning on the projector (which comes up to full brightness in a little over a minute), a quick twist of the zoom lens fills the screen entirely, with the manual focus aided by a cross-hatch pattern that can be directly accessed from the remote. Now all that’s left to do is line up the image vertically as well as hori-zontally, with the Epson providing wide latitude for performing these optical adjustments via two wheels on top. (You just move the image sideways till it lines up and then do the same for top and bottom.)

A motorized lens could provide a bit more ease, since you could run functions while getting up close to the screen, but truthfully, it’s no big deal. Also, while I don’t have a larger screen to try this out with, cranking up the lens to where it simulates projecting onto a 100’ screen shouldn’t be an issue. Frankly, the overall brightness continues to be consistent, so I can see using a larger viewing area not being a problem.

Returning to a screen size of 84”, I go to the menus and set the color temperature high, as that’s how I like it, while placing such enhancements as Sharpness, Brightness and Gamma at their mid-level posi-tions – as I also do with Color saturation and Tint. There are additionally such functions as a skin tone setting, motion detection and noise reduction, among others, along with added options for the adjustment of computer images being projected. (Although I found letting the system handle this automatically worked fine).

In general, support for personalizing all your settings also makes the installation process enjoyable and easy to accomplish. You’ll likely appreciate having 10 memory settings as it affords the opportunity for experimenting as well.

Testing

Six color mode settings are there for those who want to get up and running quickly. Each mode does something different – the Dynamic mode, for example, increases the brightness of the overall image. This helped when I played the newly remastered Director’s Cut of Commando upscaled to 1080p through my Oppo 981HD DVD player.

But while the grain was fairly tight for a film of its age (and came across quite sharp, as the Epson’s lens resolves nicely), the brightness only served to highlight artifacting problems in some of the smoke and explosions (not unexpected in older movies such as this one). Mind you, the image was smoother when I switched to the less bright Living Room mode. But using this option, the increase in contrast seemed to muddy the flesh tones.

Epson Remote ControlFrankly, Natural mode looked best to me, especially in terms of overall color, with no discernible viewing benefit I could see when using the Theater setting (designed for a totally dark environment). Note: Both of the aforementioned settings are aided by a Cinema filter which kicks in to increase contrast and improve flesh tones.

Switching back to Natural and playing the Fantastic Four sequel, Rise of the Silver Surfer, both the Hu-man Torch’s flame along with Angelina Jolie’s lips are lusciously crimson, and the overall color palette is clean and realistic to the eye. Had the Blu-ray version been available, I’m sure (based on some HD trai-lers viewed) I could have been able to see the sheen on the Surfer’s body and count the cracks on the Thing’s skin. But even running just the standard DVD, the overall quality is spot-on.

Happily though, I do have a copy of the HD DVD of Next, wherein two heavily digital scenes take place. The first has a train just missing Nicholas Cage’s car shooting across the tracks, while the other has him scurrying down a hill during a landslide. At 1080p resolution, the wheels of the locomotive can be seen as individual components working together rather than just a blur, and every rock, pebble and dust cloud is distinct as it kicks up around Cage. The Epson also handles black areas quite well in HD and it’s not like you’re looking into an inkwell, as it is with a DVD. And while I could live without seeing the bags under Cage’s eyes, on the flip-side, you also get close-ups of Jessica Biel that look mighty fine.

I also tried watching some standard definition (SD)television as well as HD programs off of my Dish Network HD receiver, with the projector delivering a consistently bright image with smooth tones that moderates bad SD pictures to where they are better than just acceptable (being able to tweak and save a setting really helps here), even as it handles 1080i broadcasts like a champ by providing realistic imaging from the compressed video signal.

As to the projector’s exhaust, which vents out the front, it’s only mildly discernible to someone seated directly behind it, and disappears when audio is being played at even “don’t wake up the baby” levels. Just remember to clean the filter occasionally, as well as replace it every few months, particularly if you live amidst debris like cigarette smoke, pet hair and the like.

Conclusions

To paraphrase, I bet that sci-fi author Isaac Asimov would have created the “Three Laws for Front Projec-tors” if he had ever reviewed one.

I think the first would be that the projector needs to be sensible in how it works – i.e. you shouldn’t have to fight it to get an image playing. The second would be that it must display video of sufficient quality that it doesn’t keep reminding you that you were unable to afford something better. And the last law would be that it should make the time spent watching as much of a pleasure as a night out at the movies – sans the steep cost of popcorn and a beverage, natch.

That the PowerLite does all of this without cutting corners or cannibalizing features is good, but that it has such a low price for gaining admittance to the 1080p club makes it even better. Consider this a highly-recommended purchase.

Pros:

• Provides a bright and high contrast ratio
• High-resolution image
• Wide array of control and convenience settings
• Plenty of extra functionality such as lens shift, security slot, control deactivation, etc.

Cons:

• Replacing the air filter can be overlooked and result in degraded performance
• A bit lightweight
• Remote not quite ergonomic for extended holding

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