14/06/2026
IPR Intellectual Property Copyright Case Law Knowledge Update : May 8, 2026 Vodafone Idea Limited Vs. The Indian Performing Right Society Limited Calcutta High Court A.O (COM) No. 17 of 2024 CS-COM 140 OF 2024 IA NO. GA-COM 1 OF 2024, GACOM 2 OF 2024, GA-COM 3 OF 2024
Conflict : Do the amendments introduced by the Copyright (Amendment) Act, 2012 allow IPRS to claim royalties in respect of the underlying musical and literary works in a sound recording when such sound recording is commercially exploited?
Section 19(10) of the Act of 1957 has specified that, no assignment of the copyright in work to make a sound recording which does not form part of the cinematograph film shall affect the right of the author of the work to claim an equal share of royalty and consideration payable for any utilization of such works in any form. Section 2(d) of the Act of 1957 has defined author to mean in relation to literary work, the author of the work; in relation to a musical work, the composer; and in relation to a cinematograph film or sound recording, the producer. Section 2(y) of the Act of the 1957 has defined work to mean, in the context of the present case, a literary work or musical work or a sound recording.
High Court opined that upon reading Section 18(1), 2nd and 3rd provisos, Section 19(10) and Sections 2(d) and (y') of the Act of 1957, grant of licence or any agreement entered into by the author of literary and musical works other than the assignment to their heirs or to a copyright society or a collecting society as the case may be, is void. The producer of a cinematograph film can play a cinematograph film at a cinema hall without being liable to pay any royalty to any of the authors of the literary or the musical works, if such producer has engaged them for the purpose of production of such cinematograph film. The entirety of the cinematograph film has to be played at a cinema hall for the producer of the cinematograph film not to be liable to pay to the authors of the literary and the musical works incorporated in such films. Any other method of use will attract the liability of payment of royalties to such authors. Any agreements contrary to the provisions of Section 18(1) and 19(10) are void by virtue thereof.
The Amendments to the Act of 1957 incorporated by the Copyright Amendment Act, 2012, have ushered in a paradigm shift in the rights of owners of literary and musical rights. They are now protected and entitled to receive royalties for the use of their literary and musical works incorporated in the sound recordings. This paradigm shift in the copyright of the musical and literary works embodied in the sound recording when, such sound recording is commercially exploited, has been recognized in (International Confederation of Societies of Authors and Composers (ICSAC) vs. Aditya Pandey and Others), 2021 SCC OnLine Del (1).
High Court held that the amendments introduced by the Copyright Amendment Act, 2012 allow IPRS to claim royalties in respect of musical and literary works in a sound recording when such sound recording is commercially exploited.