Tisot Art Collection Trust

24/11/2023

I am happy to share that this beautiful work by the very very young and rising star of Brazilian contemporary art has become part of the collection 🌹

Many thanks to her gallery

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Priscila Rooxo (b. 2001) lives and works in Rio de Janeiro.

At only 17, Rooxo received a Painting scholarship from Rede NAMI to attend the prestigious Parque Lage School of Visual Arts. In 2021, she began studying at UERJ, while maintaining a collaboration with civic organisations and movements, including NAMI Rede Feminista de Arte Urbana.

In September 2022, the artist, one of the youngest and most promising currently working in Brazil, was awarded the FOCO Prize at ArtRio with her solo show A Mãe ta On [Mother’s On].

Her work is a reflection on the territorial, gender and class issues experienced in the region she lives in, an area known for high violence and criminality rates and a lack of basic services and infrastructures. Based on an activist and critical practice, Priscila Rooxo’s paintings explore themes such as poverty, maternity, social exclusion, the recognition of women’s role in society, and the peripheral body and its relationship with notions of social belonging and visibility to subvert habitual cultural classifications and distinctions, namely between high and mass culture.

Rooxo’s practice is visibly influenced by graffiti and the cultural manifestations commonly associated with Rio’s periphery

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08/10/2023

17/09/2023

An amazing exhibition at of such a great Brazilian artist 🔥🔥🔥🔥🔥🔥🔥

16/09/2023

A beautiful visiting studio! An incredible artist who, still very young, will go far because of the talent she has and how multidisciplinary she is! Thank you very much
It is an honour to have you now in the collection🌹

Thanks also to for all!

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14/09/2023

Such an extraordinary artist and he is a very special person! I am happy to have such a Brazilian friend!!! My collection have such a great talent!! Grandissimo

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13/09/2023

It was a real pleasure for me to meet this extraordinary artist who introduced me to his work. Congratulations you are a great artist!


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12/09/2023

Fabulous to meet these friends in Rio for the opening of the beautiful exhibition of during

Thanks to

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10/09/2023

I am happy to announce the addition to the collection of these two extraordinary works by the very young African artist

Thanks to and

Daniel Atenyi is an Ugandan artist born in Jinja, Uganda, in 1997. Since 2020, he has been developing his practice in which charcoal powder serves as his main medium. More recently, he began combining it with pastel powder and other natural powdered materials like turmeric and terracotta.

- Resolute, 2023 Charcoal and terracotta powder on paper 83 x 59 cm

- Habitual II, 2023 Charcoal and terracotta powder on paper 82.5 x 59 cm

23/06/2023

I am thrilled to announce that the collection is enriched with additional incredible work by the Italian-Tunisian artist , which represented the exhibition “About Telepathy and other Violences” at
We strongly believe in her work and have determinedly decided to support the artist and her work.
Special thanks go to .chert, .tempestini and

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Interlude for Revolutionaries
(The Destruction of the Idols of Ka’ba), 2023 Carbonized wood, charcoal, concrete, fabric, plaster, lead, iron, clay, spicepowders
146 × 42 × 54.5 cm

Monia Ben Hamouda (1991, Milan) graduated with a BA in Fine Arts from the Brera Academy, Milan.
Following the belief that each individual is inextricably connected to their family tree and the psychological universe of their ancestors, Ben Hamouda attempts to master her influences in a contemporary and constantly changing landscape. Born into a Muslim community as the daughter of an Islamic calligrapher, Ben Hamouda navigates and confronts her generational heritage through what she calls
a shamanic process – creating works that act as gestural exorcisms of the expectations placed upon her by tradition and the politicized present, drawing their power from the urgency of expression. Her visual language, which translates into a broad range of formal approaches, is steeped in cultural-religious symbology and rituals. Often, her work
is covered in fragrant spices and powders to be protected
by their medicinal, ceremonial, culinary and ritualistic properties used for thousands of years.

17/06/2023

I’m delighted to announce that this magnificent work by the artist has become part of the collection. Thus continues the work of supporting sculpture and especially young female artists.

Special thanks go to Gianluca of
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To The Hunted, May You Continue To Be Their Worst Nightmare is the third intervention relating to an interpretation of the myth of Many-Headed Hydra - a subchapter of White’s thesis titled “Shipwreck(ed)”. Rooted in abolition and hydrarchy (from below), the Shipwreck(ed) questions the possibility of true emancipation whilst being contained by the Ship (the state, the Nation-State, the Capitalocene, the Human) and therefore seeks a Black Future through the obliteration of the Ship through its defeat at sea.

Dominique White winner of the 9th edition of the Max Mara Art Prize for Women 2022-2024

15/06/2023

I am truly excited to report that these three terrific works by this incredible Brazilian artist have joined the collection, further enriching the collection of artists from South America.
Special thanks go to

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Cabeça de Luzia, 2023

cement, fabric, acrylic paint and gold leaf
150 x 26 cm

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Wonder Fruits , 2023

glass, styrofoam, cold ceramics, cement, acrylic paint, crochet, beads, acrylic resin
175 x 36 cm

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Desafios Gravitacionais, 2023

crochet, fabric, seat belt, thread, cement, plaster, acrylic paint and beads
217 x 20 cm

"Courtesy by the artist and A Gentil Carioca".

13/06/2023

It is with incredible pleasure and honor that I announce the addition to the collection of the magnificent work, which you can admire by turning the page, of this incredible artist of whom you will hear so much!!!
Grazie mille anche a
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Impatient Shrine, 2022
matita, carboncino, china e acrilico su carta
60,7 × 62,2 cm

L’artista così descrive la sua opera:
"Quest'immagine per me raffigura uno smarcamento dalla figura del padre. L'ho trovata online e la cosa che mi ha colpito di più è quel piede che sembra quasi di un bambino. É un frammento di una statua greca, mi sembra sia una rappresentazione del mito di Davide e Golia."