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A Reggae concert is not just a SELECTOR DEEJAY and M'CEE performance, it is a Gathering call to discuss Love❤️, Unity🤝 a...
30/01/2026

A Reggae concert is not just a SELECTOR DEEJAY and M'CEE performance, it is a Gathering call to discuss Love❤️, Unity🤝 and Jah🙏.
ONE LOVE
Jah Bless Rastafari
🇯🇲💚💛❤️🇯🇲


REGGAE EXTRAVAGANZA
OPP.
SABATH SPECiAL
COOL & DREADY

COMBINATION KWA MPIGO

Reggae concert is not just a SELECTOR DEEJAY and M'CEE performance, it is a Gathering call to discuss Love❤️, Unity🤝 and Jah🙏.
ONE LOVE
Jah Bless Rastafari
🇯🇲💚💛❤️🇯🇲


REGGAE EXTRAVAGANZA
OPP.
SABATH SPECiAL
COOL & DREADY

COMBINATION KWA MPIGO


#40%_LOUNGE

Courtesy of
INT'L
COME EARLY and STAY LATE
LOVE and RESPECT
you THERCLIQUE_LOUNGE
#40%_LOUNGE

Courtesy of
INT'L
COME EARLY and STAY LATE
LOVE and RESPECT
you THERE

06/11/2025
09/02/2024
04/09/2022
02/09/2022

Happy Heavenly 64th Birthday Oscar Hibbert aka Junior Delgado 25th August 1958-11th April, 2005 In a crowded field, Junior Delgado stands out amongst Jamaica's consummate roots performers, one whose distinctively expressive, and slightly husky, vocals have seen his popularity remain undiminished, even after styles changed and his original forte was pushed away by dancehall. Born August 25, 1958, in Kingston, Jamaica, Delgado began singing in his teens as Junior Hibbert, with the vocal group Time Unlimited. In 1973, the quartet came under the wing of the seminal producer Lee Perry, who both groomed the group and recorded them. Unfortunately, little of this material was released, but eventually Time Unlimited did score a hit with "Reaction."

A higher profile brought more opportunities, and the group recorded singles for producers Rupie Edwards and Tommy Cowan, although none of these enjoyed the success of "Reaction." The group moved on to work with Bunny Lee, but these sessions went nowhere, and in frustration Hibbert quit the quartet in 1975 to pursue a solo career, changing his moniker to Junior Delgado at the same time. Delgado was his longtime nickname, taken from the Spanish word for skinny.

Initially, Delgado remained in the shadows. Sessions with producer Niney Holness proved equally futile, as did a momentary name change to Jooks. Success only came after the singer moved to Dennis Brown's DEB label and set to work with producer Earl "Chinna" Smith. Their first collaboration, "Tition," bore fruit and set the stage for a string of further hits, including "Famine" and "Devil's Throne," which culminated in Delgado's 1978 debut album, Taste of the Young Heart. The following year, the singer started his own label, Incredible Jux, on which he released his follow-up full-length, Effort.

Sisters & Brothers
At the same time, Delgado continued recording singles with other noted producers, including Prince Jammy and Joe Gibbs, and with Augustus Pablo, for whom he cut the crucial "Blackman's Heart Cries Out" and "Away With You Fussing and Fighting" singles. The artist spent the early '80s splitting his time between recording and touring Britain, where he proved as popular as in Jamaica. The More She Love It and Disco Style Showcase albums both appeared in 1981 and found the singer experimenting with the new dancehall style. However, Delgado had not entirely deserted his roots stylings. Reuniting with Perry, Delgado recorded the magnificent "Sons of Slaves" single, Sly & Robbie oversaw the production and laid down the rhythms for the classic "Fort Augustus," while the singer self-produced the equally seminal "Rich Man Poor Man." The latter track was a highlight, alongside "Bush Master M16," of 1982's Bushmaster Revolution album. After a forced hiatus, during which time Delgado spent 18 months in prison, in 1985 he recorded "Broadwater Farm" in London, a fiery single inspired by the crime-ridden and poverty stricken north London housing estate of the same name. Coincidentally enough, soon after the record's release, the estate itself made national headlines, upon suffering the most violent and vicious rioting England had ever experienced in then recent times. Sisters & Brothers was released later that year. More singles quickly followed, most notably "Raggamuffin Year," which reunited Delgado and Augustus Pablo for a celebration of the new raggamuffin style which had emerged from the digital revolution. The song would also title the singer's next album, which was released in 1986.

Fearless
Delgado and Pablo continued recording together throughout the rest of the '80s, across a string of hit singles and the One More Step album. Delgado self-produced his next full-length, It Takes Two to Tango, as well as several more chart-stomping singles, including "Bus I Skull" and "We a Blood." During this period, the singer also played mentor to White Mice and Yami Bolo, co-producing hits by both artists alongside Pablo. As a new decade dawned, Delgado finally slowed down, releasing only two albums during the '90s. An excellent dub companion to Ragamuffin Year done in collaboration with Pablo appeared early in the decade, while 1998's Fearless proved the singer was precisely that. Featuring a diverse clutch of guest stars, running the musical gamut from the Specials' Jerry Dammers to Faithless rapper Maxi Jazz, trip-hop practitioners Smith & Mighty to top-notch remixers the Jungle Brothers, it was apparent that Delgado's interest in new sounds had not flagged over the years. 1999 brought Reasons, recorded in London under the aegis of seminal On-U producer Adrian Sherwood.

Following the death of longtime friend Dennis Brown, Delgado recorded his own personal tribute to this great singer, simply titled Junior Delgado Sings Dennis Brown. During this time, the singer continued performing live to appreciative crowds on both sides of the Atlantic. Delgado has spent over 25 years in the business, yet his music still resonates with today's youth; in 1999 he appeared at the Glasonbury and Roskilde festivals to widespread adulation. Junior Delgado passed away on April 11, 2005.

02/09/2022

Happy 66th Birthday Hughie Izachaar 29th August 1956 Born in Jamaica, Hughie Izachaar came to England as a child. Raised by a strict family, after disobeying parental warnings not to attend sound systems he arrived home one evening to find his clothes on the doorstep and himself thrown out of home. Aged 17, he joined the British army as “the only alternative to being homeless on the streets,” & spent several years in Germany. Following the army, he began playing music, working with artists like Pablo Gad & Ras Imru. A guitarist foremost, but also skilled vocally & with other instruments, most notably the Bass, he soon picked up plenty of live & studio work, playing with Jah Shaka, Mad Professor, Dub Syndicate & many others. Much of his recent recorded work has been with King Original & Barry Issac's Reggae on Top label. An important musician to Conscious Sounds studio, he works closely with the Bush Chemists & Chazbo's Roots Temple label. He continues to tour live both in his own right and backing Jamaican artists on International tours. Currently playing bass with the reformed Dub Syndicate, legendary On-U Sound band.

27/08/2022
24/08/2022

Sending blessings out to
dub poet Linton Kwesi Johnson born 24th August 1952 in the rural small town of Chapelton in the parish of Clarendon, Jamaica. He travelled to London in 1963, aged 11, his mother having made the journey before them. “I come from Jamaican peasantry. My family were subsistence farmers, so basically we ate what we grew. Once in a while, we might have a few extra eggs to take to market, or some sugarcane or ginger. That’s how we lived. From the start, I saw my verse as a way of chronicling black British history as it was being made. I certainly did not see myself as an angry young black poet, which was often how I was portrayed, but as someone who was attempting to articulate in verse the experiences of my generation. The first decade was about urgency of expression, things I needed to get off my chest. The second was all about learning my craft and how to structure my language, and the third was when I finally began to find my voice. I’m a classic late developer, so it took me 20 years to get there. for me was never a calling. It was more like a visceral need for self-expression at a formative period of my life, when I was trying to find my way in the world. I never saw myself predominantly as a reggae artist. For me, it was a way to bring my poetry to a wider audience. An eternal optimist. You have to be. There is always hope, even if we seem to be moving backwards in terms of social justice, immigration, poverty. I don’t know how much reading the youngsters do who were inspired by the Black Lives Matter movement, but it is important to educate yourself about what went before because continuity is crucial. You need to know where you are coming from to know where you’re going…” - The Guardian https://amp.theguardian.com/books/2022/jul/31/linton-kwesi-johnson-selected-poems-interview

19/08/2022

16 years ago Joseph HILL - Culture moved to Zion. He was 57. Born in the rural Jamaican parish of St. Catherine in 1949, Hill began his musical career in the late 1960s as a percussionist. As the Rastafarian influence on reggae grew in the 1970s, he formed Culture and remained its driving force through more than 30 albums. Hill said “Two Sevens Clash,” Culture’s most influential record, was based on a prediction by Pan-Africanist Marcus Garvey, who said there would be chaos on July 7, 1977, when the “sevens” met. With its apocalyptic message, the song created a stir in his Caribbean homeland and many Jamaican businesses and schools shuttered their doors for the day. To celebrate Jamaica’s Diamond Jubilee, Rolling Stone compiled a list of 60 songs, one song per year, to tell the story of the island’s musical evolution, 1977 is the year of Culture, : “Marcus Garvey prophesized that on July 7, 1977, two sevens would clash, and the oppressed would rise up against their tormentors. Joseph Hill, lead singer of the harmony trio Culture, wrote “Two Sevens Clash,” his captivating vocals evoking the rural wisdom of a beloved elder, which transformed Garvey’s forewarning into a reggae classic. In a politically volatile election year in Jamaica, “Two Sevens Clash” ignited widespread fear of an impending apocalypse, with many businesses shuttered on that auspicious date” - Read more: https://www.rollingstone.com/music/music-lists/jamaica-greatest-songs-marley-popcaan-reggae-1390124/peter-tosh-legalize-it-1976-2-1391112/

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