The Artist and the Others

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The Artist and the Others Knowledge, skills & connections for artists and creatives.

Artists grow best when they have access to the right support, shared knowledge, and a strong community. The TAATO Member...
13/10/2026

Artists grow best when they have access to the right support, shared knowledge, and a strong community.

The TAATO Membership connects artists across borders, creating a space to exchange experiences, reflect on common challenges, receive constructive feedback, and build meaningful professional relationships.

In addition, participants have the chance to go behind the scenes of the art world.

We are glad to be meeting Lu Zhang, director of gallery_thetigerroom 老虎房间 , this Thursday at 10:00, where our growing network of professionals will visit the exhibition by Sophia Mainka and be free to ask questions about the dynamics of an art gallery.

Thank you, Lu, for welcoming us!

Remember when we jumped for joy? We’re now happy to share the project we’ve been working on, which we resubmitted after ...
05/10/2026

Remember when we jumped for joy?

We’re now happy to share the project we’ve been working on, which we resubmitted after an initial rejection 2 years ago.

We are beyond excited to announce that on 1 October, we launched a new European project: Care2Care!

For us, this is an important step and, at the same time, a natural continuation of the work we have been developing for years through our online and physical residency and mentoring programmes for artist-mothers.
We are happy to keep focusing on a group that continues to face numerous systemic barriers in the world of arts and culture: artists who are also mothers.

Care2Care was created to strengthen their professional position and create conditions that make it possible to combine the development of an artistic career with care responsibilities.

We will work, among other things, on the skills needed to develop a career in the cultural and creative sectors, career planning, setting boundaries, work-life balance and burnout prevention.

Stay tune, as we will share more information on how you can be part of this project soon!

Very much looking forward to also working with wonderful partners: Cultuurloket THE ARTIST AND THE OTHERS The Field Società Cooperativa Fundacja Arteria

Image: Katrin Brittl, Hyazinth | Iris, digital painting on textile, 300 x 120 cm, DG Kunstraum, Munich, 2024 - Photo Credits: Gerald von Foris

CulturalSector Mentoring GenderEquality ErasmusPlus

📚 Dogeared Rubrica | Book of the Week
Let’s Become Fungal! Mycelium Teachings and the Arts, by Yasmine Ostendorf-Rodrígu...
03/10/2026

📚 Dogeared Rubrica | Book of the Week

Let’s Become Fungal! Mycelium Teachings and the Arts, by Yasmine Ostendorf-Rodríguez Yasmine Ostendorf-Rodríguez published by Publisher Valiz ( you know by now we are a huge fan)

This is one of the best books we have read since a while! It is a book that is much more than a book. It is a ways of seeing things, learning from the mycelium.

“There is a growing interest in fungi and mycelium as a material, the ever-branching connecting threads of the fungal world. The entanglements and how this rhizomatic network functions is not just a fascinating ecological system and material, but carries a profound usefulness as a metaphor for our potential new systems, ways of thinking and behaviors.

Drawing on art and mycology, Let’s Become Fungal! shares innovative practices from Latin America and the Caribbean rooted in multispecies collaboration, symbiosis, alliances, non-monetary resource exchange, decentralization, bottom-up methods and mutual dependency, all in line with how the mycelium behaves.

Every chapter is phrased as a question. They don’t lead to answers but to twelve teachings on collaboration, decoloniality, non-linearity, toxicity, mobilization, biomimicry, death, and being non-binary, while venturing deeper into the world of fungi.
It’s an invitation to pause and ask: what would it mean for my practice to become more fungal, right now?

Because the teachings of the fungus can inspire artists, collectives, organizations, educators, policy-makers, designers, scientists, anthropologists, change-makers, curators, urbanists, activists, gardeners, community leaders, farmers, and many others to work and be differently.”

A book we recommend when you want to rethink how you connect, collaborate and sustain your practice 🤍

 LetsBecomeFungal Mycelium Mycology Multispecies Decoloniality ArtsAndCulture SustainablePractice ArtsNetworking

Both Hats On: Meetup & Rider for Artist-Parents Becoming a parent while sustaining a life as an artist raises questions ...
29/09/2026

Both Hats On: Meetup & Rider for Artist-Parents 

Becoming a parent while sustaining a life as an artist raises questions rarely addressed in the spaces where we talk about artistic practice, labour, or care.

How do you keep working when studios, residencies, funding schemes, and rehearsal spaces were never built with parenthood in mind, as Lucy Jones addresses in her book Matrescence? What do fair working conditions even mean, when unpaid care work is so often invisible in how we plan, budget, and negotiate our practice?

This meet-up brings artist-parents in The Netherlands together to talk challenges, share best practices, and build community and within the workshop we will  start drafting a rider naming the working conditions artist-parents need to do their work and raise their children.

Bring your questions, your experience, and, if needed, your child. This is the beginning of a conversation we hope continues well beyond one morning.

Date & Time:  30.10.26 | 9:30–13:30
Location: Garage Rotterdam
Language:  English |  Free
Facilities: Breastfeeding space & changing table on-site

Bring your questions, your experience. Let’s build a more supportive future for artist-parents. 💪

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.Glad to have with us  Jelmer Wijn...
28/09/2026

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.

Glad to have with us

Jelmer Wijnstroom works as an independent curator. His practice explores the intersections between culture, nature, and the built environment.

Wijnstroom works closely with artists to develop collaborative and experimental projects, often bringing contemporary art beyond traditional exhibition spaces. Recent projects are an exhibition at the Hortus Botanicus Amsterdam, the curation of the Warmoes Biënnale in 2026, and the curation of the artworks in the Aquarium at ARTIS, including a major installation by Olafur Eliasson.

Previously, he has curated exhibitions and projects for CODA Museum Apeldoorn, INDEBT, Kunstmuseum Den Haag, KM21, Stedelijk Museum Amsterdam, and Buro Stedelijk. His practice is informed by contemporary art, subcultures, clothing, urban traces, and the peculiarities of city life.

In 2021, Wijnstroom received the VBCN OPEN Curatorial Award. He is an editor at Tubelight Magazine and serves on the art committee of Amsterdam UMC and Amsterdam Art Week.

The Summer Training Portfolio review is financially supported by PLATFORM
Photo: credits Remi Bouvier

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.Glad to have with us Cynthia Jord...
25/09/2026

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.

Glad to have with us Cynthia Jordens Jordens

Cynthia Jordens is an art historian and Senior Curator of Contemporary Art at SCHUNCK in Heerlen. She also works as a guest curator at Garage Rotterdam and as an advisor to the Mondrian Fund.

At SCHUNCK, she has (co-)curated solo exhibitions of major twentieth-century artists, including Jean-Michel Basquiat, Niki de Saint Phalle, and Andy Warhol. Alongside these presentations, she is committed to advancing the work of emerging and mid-career artists from the Netherlands and beyond, including Kevin Osepa, Hadassah Emmerich, and Helen Verhoeven. She has also curated the first comprehensive overview exhibition of South African artist Ina van Zyl, currently on view at SCHUNCK.

Transnational and multilayered cultural narratives are central to Jordens’ curatorial practice. Her exhibitions explore themes of identity, collective memory, belonging, and cultural in-between spaces, foregrounding art as a site for reflection and transformation. As guest curator at Garage Rotterdam she is further expanding this inquiry through a trilogy of exhibitions on the overarching theme of transformation, engaging with concepts such as repair, rememory and reworlding.

The Summer Training Portfolio review is financially supported by PLATFORM
Photo: Anne Jannes photography

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.After July, when the participants...
24/09/2026

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.

After July, when the participants were in a pressure cooker, learning pivotal things, from how the art world works to presentation skills, artist statements, portfolios, project management and much more, we gave them time to work during the summer months, to reflect, and to have the chance to work effectively on their portfolios. So on 02.10, they will have an online portfolio review with several reviewers, whom we are happy to introduce to you.

Glad to have with us Damian Lentini Damian Lentini

Dr. Damian Lentini is a curator whose research and work unpacks the imbricated histories of modern and contemporary art from the postwar period up until our present moment. He received his doctoral degree from the University of Melbourne in 2009 and has since worked on various projects in Australia, Germany and Austria. He is currently the Deputy Director at the Ludwig Forum in Aachen and prior to that, was Curator at the Vienna Secession. Before moving to Vienna, Lentini worked at the Haus der Kunst in Munich from 2015 to 2023, where he collaborated on the highly acclaimed exhibition project Postwar: Art Between the Pacific and Atlantic, 1945-1965 (2016), alongside Okwui Enwezor, Ulrich Wilmes, and Katy Siegel. His own curatorial projects include exhibitions with Phyllida Barlow, Sung Tieu, Jeremy Shaw, Rochelle Feinstein, Dumb Type, Kapwani Kiwanga and the Karrabing Film Collective.

The Summer Training Portfolio review is financially supported by PLATFORM

Photo: Natascha Unkart

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.Felicissimi to have with us Adiac...
23/09/2026

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.

Felicissimi to have with us Adiacenze.

Amerigo Mariotti (b. 1978) and Giorgia Tronconi (b. 1996) are curators and directors of Adiacenze, an art center based in Bologna committed to the exploration and production of contemporary art. Amerigo Mariotti, with a background in Architecture, founded Adiacenze in 2010, and Giorgia Tronconi joined the team in 2020. Holding a BA in Graphic Design & Art Direction from NABA in Milan and an MA in Visual Arts from the University of Bologna, Giorgia Tronconi brings diverse expertise to their collaborative approach.

The duo’s curatorial philosophy is research-based and experimentation-driven. It centers on multidisciplinary practices, emphasizing artists who challenge the contemporary landscape, probing its intricacies and potentials.

Their work involves organizing exhibitions and public programs within the Adiacenze space, implementing residency programs at both regional and international levels. Additionally, they foster collaborations with galleries, institutions, and museums across Italy and beyond, including notable partnerships with the Italian Cultural Institute in Madrid, Oslo and Prague, MAMbo (Museum of Modern Art) in Bologna, Galleria Nazionale in Rome, CAOS Museum in Terni, University and Academy of Fine Arts in Bologna and Milan, KOMA Gallery in Belgium, and Hordaland Kunstsenter in Bergen.

They operate across diverse media, prioritizing a collaborative approach with artists and cultivating a network of skills and knowledge to support and stimulate their research by encouraging cross-disciplinary interactions. Their dynamic curatorial practice not only engages with the current challenges of contemporaneity but also seeks to reimagine it from fresh perspectives, envisioning potential future scenarios.

The Summer Training Portfolio review is financially supported by PLATFORM

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.After July, when the participants...
22/09/2026

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.

After July, when the participants were in a pressure cooker, learning pivotal things, from how the art world works to presentation skills, artist statements, portfolios, project management and much more, we gave them time to work during the summer months, to reflect, and to have the chance to work effectively on their portfolios.

So on 02.10, they will have an online portfolio review with several reviewers, whom we are happy to introduce to you.

Glad to have Heike Dempster.

Heike Dempster s a curator, art writer and arts administrator based in Munich, Germany. Curatorial projects include exhibitions, performances and talks at Baker —Hall Gallery, Locust Projects and Mahara + Co in Miami, Soho Beach House in Miami Beach, All Street Gallery, Latitude Gallery and the Smithsonian in New York, EarEar Projects, Galerie nouveaux deuxdeux, No Depression Room and The Tiger Room in Munich, NKR in Düsseldorf, and Untitled Art Fair, to name just a few.

She is also a Consultant and Creative Producer at AIRIE in Miami and oversees the exhibition organization and communication at BBK München und Oberbayern.

Her articles and essays have been published in art magazines, exhibition catalogues and books internationally.

The Summer Training Portfolio review is financially supported by PLATFORM

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.After July, when the participants...
21/09/2026

Happy to share our 2026 portfolio reviewers for the final event of the Summer Training.

After July, when the participants were in a pressure cooker, learning pivotal things, from how the art world works to presentation skills, artist statements, portfolios, project management and much more, we gave them time to work during the summer months, to reflect, and to have the chance to work effectively on their portfolios.

So on 02.10, they will have an online portfolio review with several reviewers, whom we are happy to introduce to you.

We are happy to have Sophie Eisenried among this group of wonderful and empathic professionals.

Sophie Eisenried is a curator, dramaturg, art scholar, and writer based in Munich. Her practice explores how contemporary art can generate forms of collective imagination, counter-publics, and transdisciplinary exchange.

Working across visual art, dance, performance, and sound, she is particularly interested in artistic practices that emerge from global histories of protest, labour, migration, and feminist, q***r, and decolonial struggles.

Since 2025, she has been Curator and Dramaturg of Habibi Kiosk and Werkraum at the Münchner Kammerspiele, where she develops interdisciplinary projects that bring visual artists, performers, researchers, and local communities into sustained dialogue. She also serves on the board of Kunstraum München and teaches at the Fine Arts Academy in Munich.

Eisenried is currently completing her PhD, “Queering the Post-Industrial Space: Artistic Counter-Publics (in) the Periphery”, which examines how artistic practices create alternative infrastructures of participation, solidarity, and belonging. Across her work, she understands curating as a long-term practice of building relationships, fostering critical dialogue, and imagining more open and equitable cultural futures.

Photo credit: Florian Laufhuette

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