Studio Redivivus

Studio Redivivus High-grade materials, reversible techniques, long-term care and clear documentation are at the heart of our philosophy.

Redivivus Studio | Leading European Art Conservation & Restoration
We specialize in Old, Modern & Contemporary Art-offering museum-quality painting conservation, art restoration & technical analysis for collectors, galleries & museums internationally. Founded in 1991, Redivivus has been restoring easel paintings to the highest standards, employing a small team of highly skilled and qualified painting conservators. Treatments retain the authenticity of the artworks, while making them safe for display in a wide variety of settings.

We are internationally recognized for our expertise in conservation of modern and contemporary art, as well as in the conservation of old masters. We pride ourselves on being a lively, approachable and responsive team, able to accept large commissions at short notice. Clients receive a consultation by appointment where the state of conservation of the artwork and possible treatments are discussed openly before quotations are given. You are assured of expert attention and confidentiality.

When should you call a conservator? ☎️ It isn’t always obvious. Some changes are simply part of a painting’s natural agi...
10/08/2026

When should you call a conservator? ☎️

It isn’t always obvious. Some changes are simply part of a painting’s natural aging, while others may signal active deterioration.

In this carousel, we’ve highlighted a few common conditions worth assessing. In many cases, identifying a problem early can help preserve a painting’s condition and prevent further damage.

When paint starts to lift or curl away from the surface, it must be carefully repositioned before the painting can be co...
22/07/2026

When paint starts to lift or curl away from the surface, it must be carefully repositioned before the painting can be consolidated.

For example, this painting had severe flaking and cupping. Working under magnification with a microscope, the conservator carefully guides each displaced paint flake back into place. A small amount of adhesive is then applied to temporarily secure the flakes before the final consolidation treatment.

These precise interventions are essential to preserving the painting and its original surface.

When an artwork requires treatment on site, every minute spent with the original is valuable. Testing and refining the t...
08/07/2026

When an artwork requires treatment on site, every minute spent with the original is valuable. Testing and refining the treatment approach in the studio beforehand allows conservators to make informed decisions, anticipate potential challenges, and use their time on site as effectively as possible.

These mock-ups are part of the preparation for treating a canvas adhered directly to a wall with protein glue. Over time, the adhesive has weakened, causing localized detachment between the canvas and its support.

Rather than testing directly on the artwork, our conservators first recreate these conditions in the studio. Test strips are used to evaluate different adhesive systems for strength, reversibility, and compatibility with the original materials. Once the best approach has been identified, a larger mock-up—reproducing the areas of detachment—allows conservators to refine the treatment under conditions that closely mirror those on site, including the controlled application of heat and pressure.

This careful preparation ensures that treatment is both effective now and reversible later, protecting the artwork itself while preserving the possibility of future research and care.

Conservation is as much about developing the right method as it is about carrying out the treatment.For this project, co...
29/06/2026

Conservation is as much about developing the right method as it is about carrying out the treatment.

For this project, conservators are preparing for the in situ treatment of a large wall-mounted painting. Because the work must be completed across an extensive surface within a limited treatment window, every material and application method is first evaluated in the studio.

Using mock-ups that closely replicate the painting’s condition, the team tests different consolidants, concentrations, and additives. Each formulation is assessed not only for its ability to stabilize fragile paint, but also for its long-term visual impact. An effective consolidant should strengthen the paint layer without staining the surface or altering the original color or saturation.

These mock-ups document one stage of that process. In this series, a Klucel-based formulation was found to increase the saturation of the paint surface after drying. Although it successfully consolidated the paint, it did not meet the project‘s visual requirements and was eliminated from further testing.

Each mock-up contributes to a treatment methodology that balances effectiveness, compatibility, and the practical realities of conserving a large-scale work in situ.

Before any treatment begins, the surface needs to be stable.Dry cleaning is often one of the first things we do. Without...
18/06/2026

Before any treatment begins, the surface needs to be stable.

Dry cleaning is often one of the first things we do. Without using liquids, it removes loose dirt and particulate matter that has built up on the paint surface over time. Left in place, this accumulation does not simply sit there. It can become increasingly difficult to remove, and in some cases, it begins to interact with the material beneath it.

Here, a PU sponge gently contacts an unvarnished surface to lift dirt. It may look straightforward, but this is not something to try at home. Which material to use, how much pressure to apply without causing abrasion, where to start and where to stop all depend on a close reading of the surface—knowledge that comes only with training and experience.

Curious about the condition of a work in your collection? We are happy to take a look. Reach us at [email protected].

Not every restoration is about what you see at first glance. Sometimes, the most important work happens beneath the surf...
16/02/2026

Not every restoration is about what you see at first glance. Sometimes, the most important work happens beneath the surface.

In this post, we’re sharing a canvas repair through a case study. Slide by slide, you’ll see how we carefully addressed each issue to ensure its preservation for the future.

1. Canvas repair: before any aesthetical treatment, we need to stabilize the canvas.
2. Here we can see what the loss looked like before treatment from the front of the canvas. With the help of X-ray imaging, we discovered that the damaged area had been heavily overfilled.
3. From the back, the old patch covering the loss becomes visible. You can also see how excessive the previous fill was.
4. Using controlled moisture, we carefully removed the old patch.
5. Next, we removed all the previous filling material (from both the front and back), corrected deformations, and consolidated any lifting paint to prevent further loss.
6. Once the area was clean and stable, we inserted a new piece of canvas to replace the missing section. This particular loss affected the lining canvas (not the original). We carefully interwove original threads with new ones to integrate the insert.
7. We then reattached paint flakes that were loose and we had separated to protect them during the insert adhesion. Finally, we added a second insert corresponding to the original canvas, which also performs as a patch for the previous repair.
8. After filling and retouching, you can see the before and after; a stable, secure artwork ready to continue its life.

2026 has officially started and we’ve been busy.With  coming up next March, we’ve been working steadily towards it.These...
29/01/2026

2026 has officially started and we’ve been busy.
With coming up next March, we’ve been working steadily towards it.
These past weeks have also coincided with International Conservators Day (January 27), so a slightly belated happy International Conservators Day to all the incredible professionals behind the scenes.

Here are a few snapshots from this past month.

By the way… can you guess which artist the anagram in the first image belongs to?
Check our stories to find out 😉

31/12/2025

Best wishes for the coming year from the team at Redivivus

Adres

Wolga 16
The Hague
2491BJ

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