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STUDIO 150

STUDIO150 is based in Bangkok, Thailand

13/07/2026

This visual identity design for ‘ชีวิตใหม่ วิถีถัดไป New Life Next Normal’ visualizes the essence of transformation and renewal. Each letterform is structured within a modular system, allowing the composition to be deconstructed and seamlessly rearranged to fit any site-specific media context.

The layout serves as a visual metaphor for the ‘recycling process,’ wherein individual characters act as salvaged materials, separated from their past existence (the old life) and mindfully reconfigured into a new, functional form (the new life), reflecting sustainability, adaptability, and the endless possibilities of our next normal.

10/07/2026

THINKK TOGETHER OUT OF LINE presents the visual identity for THINKK Studio's fourth showcase at Bangkok Design Week 2026. Developed around the theme OUT OF LINE, the identity reflects a process of working and thinking together with manufacturers to develop products through close collaboration. At its core is a custom typeface built from simple linear forms, using the line as a visual expression of moving beyond familiar boundaries and established ways of making.

More than a graphic element, the typeface provides a consistent visual language across the exhibition, connecting posters, printed matter, motion graphics, and exhibition signage into a cohesive identity.

08/07/2026

Notes from Birds is a publication developed for an ongoing artistic project by Ebba Moi and Anna Carin Hedberg that explores migration, belonging, and the changing relationships between humans and the more-than-human world. Through the journeys of migratory birds, the project reflects on movement across landscapes, seasons, and political borders, inviting us to reconsider ideas of home, coexistence, and shared territories.

Studio150 was invited to develop the publication, shaping its editorial concept, content structure, and reading experience. Our starting point was to conceive the publication as an active extension of the project, a medium through which the artistic inquiry could continue in its own way, not merely document it. This thinking informed every aspect of the publication, from its loose-sheet format that allows multiple paths of reading, to a fold-out map with intentionally open geographical references, a trilingual glossary that functions as both vocabulary and conceptual index, and an inserted postcard preserving traces of clay left by participants during the workshops. Together, these elements invite readers to engage with the project through reading, handling, and participation.

Bringing together Norwegian, English, and Thai, the publication reflects the project's movement across languages, places, and communities. It does not seek to define migration through a single narrative, but opens multiple points of entry into questions of borders, belonging, memory, and our relationship with a world that is fundamentally interconnected.

Artist: Ebba Moi, Anna Carin Hedberg
Content Curation & Graphic Design: Studio150
First launched by OVEN Press, 2025

13/02/2026

The art direction of RRR Office project combines corporate logo logic with the visual language of comic ranger formations, reflecting a collective working system composed of multiple roles. The visual language is developed as flexible, modular elements that function as a tool to communicate the working process and mindset of RRR Office as a site for Research, Record, and Report.

12/02/2026

“GOR-HOR” Project : An Alternative Learning Approach Through Form, Language, and Experience
This Thai alphabet flashcard project and educational exhibition propose an alternative approach to learning the Thai script by framing it as a system of form, language, and perception rather than rote memorization. The flashcards integrate newly designed letterforms, illustrations, and accompanying text as reinforcing learning elements to support memory, pattern recognition, and structural understanding. Using monoline typography and illustrations aligned with letterform structures, the project aims to create an effective learning tool that helps children recognize and understand the unique characteristics of all 44 Thai letters in a contemporary learning context.

29/01/2026

The art direction of Bangkok Art Book Fair 2025 expresses the idea of coexistence through typographic compositions where bold, oversized letterforms share space with smaller informational text. This reflects the presence of different voices, opinions, and needs that can exist together within the same space. This approach is connected to Whispering Independent Together, the foundational concept of this edition, and functions as a shared framework across the fair’s overall design, programming, spatial approach, and modes of participation. It emphasizes being together independently, without requiring every voice to be equally loud or dominant, while ensuring that each retains presence and meaning within a shared system.

#2025

07/01/2026

The key visual for “Hanging Garden”, an artistic project in Oslo, combines an existing typeface with vowel forms created by using water spray graffiti, linking structured design language with unpredictable physical traces to explore an expanded state of consciousness through the tension between control and instability.