18/06/2017
參展人:Kuan Shao Yu
i use a tail for body training 2017 Composite media/performer/依場域而定
1 concept of ideas: the use of clay-style approach to extend the possibility of the body, and through the signs of the vertebrae to do the extension of the human body, and then use the concept of mobile sculpture and wearing items to form such a sculpture fashion, and the performers As one of the media of the work. But also the use of clay fragile, as well as the weight to regulate the performance of the performers. All the actions of the performers must match the sculpture of clay, so that the performance of the performance to some extent more faithful presentation of the action given by the restrictions given. 2 works with the space of the relationship: the works with the art show, the use of sculpture on the space of two-way staircase of the building structure, this structure has a surround-like action path, I will be named spiral spiral Art show 109 The device is arranged on the performer, and when the performer moves the body to affect the work, the sound of the bells of the tiles will be used to respond to the characteristics of the moving march through such a sound. Through such a body position in the space of the conversion to show the relationship between the body and the building, the space which ladder such a surround form, so that this work in each spiral staircase represents a desire to rise in energy. And this space is given a total of two corresponding channels, so that we will cycle in this spiral cycle up, down. In addition, it is a spiral like our exhibition attempts to invade the clothing through the way the contents of which, and in this system to find a seat. Clothing in the end is not a specific appearance of sculpture, or sculpture may restart the audience to see, thinking clothing in the end what should be the topic. Also in this process re-positioning the "sculpture of clothing" and "clothing sculpture" for personal physical reactions and how to think about the overall social solution. 3 works with the body: I only give the performer a very clear goal is absolutely not let the Tao broken, through such a single instruction and through the work itself there are restrictions on the venue, the performer must be very slow to move the body Device. In order to achieve the purpose, the rituals of the works and the rules because these restrictions more fully reflected. The temperature is also a major factor in my important consideration, the warm environment will allow the viewer to watch the behavior of the performance at the same time more clearly feel the feelings of the performers, such a physical experience with the experience to reflect the workers in this Under the labor of all the type of sublimation into ritual performance. 4 material texture: I think the soil is a particularly able to show the body of the material, the texture of my use of a lot of rope and knot knot way to tandem every Tao Tao, in addition to heavy characteristics, fragile but hard features I think But also to the viewer a sense of the contradictions and stimuli, and the use of purple and blue lights to reflect the particularity of the field. Also with the concept of exhibition.
作者說貼英文的比較不會這麼赤裸。
