American Aria

American Aria American Aria bridges the gap between Artistic Management searching for their ideal candidates and Opera Singers who want to be heard for their qualities.

As a service to the Opera community nation-wide, Aria America is proud to present a tool to assist Opera-Houses in their search for highly-qualified performers in their local region within the United States. Each performer is carefully qualified to ensure that we are offering the finest artists to companies who are seeking to fill principal and other roles. Aria America offers a unique search func

tion in which those seeking to find qualified performers for specific roles by voice type, past roles performed, musical education and many other search-criteria, are able to narrow down their search easily. Equally, this tool is a valuable way for those performers seeking to enter the professional arena of operatic singing or those with already established careers, to project their voices to many opera companies at once. By developing a profile with all necessary information for a clear evaluation by those who would be auditioning them, a singer can convey their entire portfolio easily and in one place.

The moment before Pinkerton kills Butterfly with his choices, Bergonzi nearly makes you empathize with him in this incre...
01/21/2021

The moment before Pinkerton kills Butterfly with his choices, Bergonzi nearly makes you empathize with him in this incredible trio. You can't find a more beautiful juxtaposition anywhere else.

https://youtu.be/fra9sXob6P0?t=7305

Please share if you love opera!At the end of La Favorita, Fernando forgives his love, the favorite mistress of the king ...
09/29/2020

Please share if you love opera!

At the end of La Favorita, Fernando forgives his love, the favorite mistress of the king for being with him, or something like that...
He wants to flee away together, but she dies and he freaks out.

Pavarotti sings a crazy high-note at the end here, one of the many reasons he was one of the greatest tenors to ever live.

Mary Ann Stewart & Ed Parks' voices melt together in this dark and beautiful duet from Thérèse Raquin composed by Tobias...
01/06/2017

Mary Ann Stewart & Ed Parks' voices melt together in this dark and beautiful duet from Thérèse Raquin composed by Tobias Picker. Stewart’s strong and dramatic voice complements the music perfectly, which flows like a tired river. Thank you to Long Beach Opera for this great music!

AmericanAria.com

bit.ly/2iO3Yxi

Duet Thérèse & Laurent from Thérèse Raquin by Tobias Picker, sung by Mary Ann Stewart and Ed Parks in rehearsal for Long Beach Opera's production. Thérèse Ra...

Adolphe Music's 'Noon, Not a Sound' is a very compelling and powerful piece of music. With a powerful, strong and cons...
01/04/2017

Adolphe Music's 'Noon, Not a Sound' is a very compelling and powerful piece of music. With a powerful, strong and consistent voice, Victoria Fox commands the aria. If she is not a Wagnerian Soprano in the works, I don't know what is. Enjoy this moving aria...

http://bit.ly/2hPuF4Z

Mezzo-soprano Victoria Fox premieres Julia Adolphe's "Noon, not a sound" at The Boston Court's "The New and the Newer" showcase.

On this day in opera history...On Christmas Eve in 1871, Verdi's Aida had its première at the newly opened Cairo Opera H...
12/24/2016

On this day in opera history...

On Christmas Eve in 1871, Verdi's Aida had its première at the newly opened Cairo Opera House.

Enjoy this amazing production!

goo.gl/PGFlMf

A magnificent spectacle of stars, scenery and choreography, this version of Verdi's Aïda is remastered from Sam Wanamaker's landmark production. It features ...

Ezio Pinza's voice was a flowing mammoth of a sound. The quintessential Italian bass voice combined with consistency f...
12/16/2016

Ezio Pinza's voice was a flowing mammoth of a sound. The quintessential Italian bass voice combined with consistency from top to bottom and no narrowing of the sound at any point in his range is a particularly fine wine. With impeccable breath control and diminuendi, the instrument was a pleasing sound all around; there is no reason not to love it.

Ghiaurov's Italian counterpart.

goo.gl/kKIBHO

Ezio Pinza Vecchia Zimarra

On this day in Opera History...On November 21st, 1831, Giacomo Meyerbeer's first great success, Robert le Diable, had it...
11/21/2016

On this day in Opera History...

On November 21st, 1831, Giacomo Meyerbeer's first great success, Robert le Diable, had its première at Paris Opéra.

Enjoy the full opera here!

goo.gl/KUBMby

Conductor: Renato Palumbo http://www.operone.de/opern/robertle.html

On this day in Opera History…On November 11th, 1906, Ethel Smyth's opera The Wreckers has its première, in German, by th...
11/11/2016

On this day in Opera History…

On November 11th, 1906, Ethel Smyth's opera The Wreckers has its première, in German, by the title Standrecht, at the Neues Theater in Leipzig. Enjoy this powerful work’s overture!

goo.gl/8MjI4u

overture to a famous opera by Ethel Smyth enjoy anh comment ♪♪♪ ♥♥♥ ☺☺☺ watch her other great piece: http://www.youtube.com/watch?v=hL_q64mYdQk http://www.yo...

With many different ways to interpret the same aria, Opera lovers can listen to Nadir's aria in the heroic voice of Ivan...
11/02/2016

With many different ways to interpret the same aria, Opera lovers can listen to Nadir's aria in the heroic voice of Ivan Kozlovsky or the sweet serenade of Tino Rossi and enjoy the same piece of music with two entirely different perspectives and emotions. Enjoy the lullaby of Tino Rossi on a classic victrola machine...

goo.gl/DFz8DJ

Tino Rossi (1907-1983) singing an aria from Bizet's Pearlfishers in 1936. A small but extraordinarily beautiful voice. He was immensely popular as a pop sing...

On this day in opera history.....October 27th, 1827, Vincenzo Bellini's Il pirata has its première at La Scala, beginnin...
10/27/2016

On this day in opera history...
..October 27th, 1827, Vincenzo Bellini's Il pirata has its première at La Scala, beginning a phenomenally successful six-year collaboration between the composer and librettist Felice Romani.

Enjoy!

goo.gl/Hz7uXw

Imogene: Maria Callas Gualtiero: Pier Miranda Ferraro Ernesto: Costantino Ego Solitario: Chester Watson Orchestra and Chorus of the American Opera Society Co...

Many say that Opera is a dying art-form, and although it doesn't enjoy the mainstream media attention that it used to in...
10/26/2016

Many say that Opera is a dying art-form, and although it doesn't enjoy the mainstream media attention that it used to in the earlier half of the 1900's, it has been given a breathe of life with crossover music by singers like Luciano Pavarotti Official, Josh Groban, Sarah Brightman and many others like them. If the youth are exposed to opera, it will continue to grow and change more and more lives for hundreds of years to come.

goo.gl/soRD78

Turkish bass, Burak Bilgili's thick black voice is suited perfectly for ominous and commanding roles and arias like Banq...
10/18/2016

Turkish bass, Burak Bilgili's thick black voice is suited perfectly for ominous and commanding roles and arias like Banquo & his foreboding 'Come dal ciel precipita'... Performed at the Michigan Opera Theatre - Detroit Opera House, Bilgili's portrayal was truly convincing and perfectly paired with Stephen Powell's powerful & fantastic interpretation of Macbeth. Thank you to the Detroit Opera House for creating an awesome evening of Verdi!

goo.gl/8bn16T

Burak Bilgili

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Chicago, IL

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