01/27/2021
Trio of artists making art a living to kick off this new year at ! These 3 small pieces brighten a kitchen corner and hold their own next to a very colorful spice rack. The top 2 share a city and even a gallery in common—Minneapolis and . My artist friend Russ White enclosed a note with his “Organ Ism #7” (2020) an intricate, delicate mixed media collage that I had purchased directly from his website. He made the colorful cartoony duck notecard likely with scrap paper and free time—such an extra personal touch, which can cost next to nothing and demand little time, is as good as gold in building a genuine, lasting connection with your clients—your supporters—which gives richer meaning to the living part of making a living. Plus, if your clients love quirky cutouts (etc!), you’ve tricked them into thinking of you twice as often! I’ll circle back to close with this post’s main event, the newest happy monster addition to my walls. But while I’m spotlighting the power of art extras, here’s a shoutout to cartoonist extraordinaire Liana Fink, whose astute and downright funny observations spark ⚡️ pages of The New Yorker. I’ve purchased one of my favorite originals from her, and she included this postcard size dog drawing ( managed to intern/shadow/assist TKTK) with that delivery. I’m guessing it was an extra from her 2017 fundraiser for the ACLU, where she sent her followers a dog drawing on a postcard to thank them for any donation over $40. What a smart way to help raise 💰 for a cause AND connect with your fans. Win win! (I have another postcard from that joyous early rebuke of the Cheeto.)
Okay, now to the monster in the middle! I snapped up this Barret Lee original from Gamut Gallery’s holiday-timed artist showcase. I really did buy it as a gift for , but it’s my new favorite painting pet—I’d say 2-D pet, but he’s clearly 3-D as he wraps around the canvas. It’s the little details I love—in the art and the relationships with artists and galleries. Here’s to making art a lively, fulfilling living.