Chayse the Artist

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10/22/2026

My current obsession is Nat Turner… also starting to do research into the treatment of victims of Jonestown

Both are elements within this piece

Last weekend was one for the books! From participating in my first art fair (Untitled Art) with my favorite people (SEE ...
10/11/2026

Last weekend was one for the books! From participating in my first art fair (Untitled Art) with my favorite people (SEE A NEED. MEET A NEED The Reading Room HTX), to hosting my New Haven family, and seeing the city activated by incredible arts and programming! I’m so happy to be back & feel so loved by my city!

“The Captive Maternal”, an ode to black mothers & mothering figures, found a home on the first day of the fair.

The piece questions: what freedom has actually looked like for Black women and what happens when care itself becomes a political strategy? If you’d like to hear more about this piece, I just uploaded a long-forum Youtube video. Link in bio.

08/31/2026

I want my freedom how i want my love. Endless, ever-evolving, expansive. I want a love/freedom that is continuously reaching beyond itself… to free some more, to love some more.

“Radical Rage” seeks to reframe our understanding of rage. What if rage were not simply an emotion to suppress, but a ne...
08/05/2026

“Radical Rage” seeks to reframe our understanding of rage. What if rage were not simply an emotion to suppress, but a necessary force for sustained change and imaginative possibility? By placing rage at the center and claiming it as the catalyst of artistic practice, the exhibition examines how artists transform frustration and anger into acts of creation.

I’m honored to have “Rupture in the Threshold” (2022) included in this exhibition because the work itself was born out of rage. The title speaks to a rupture of the individual. Through rage, the figure is broken open, gaining access to an ancestral consciousness that exceeds a single lifetime. Moments of struggle connect us across generations, revealing an emotional inheritance that bends time rather than obeying it. This painting marked the beginning of my use of multiple figures within a single body, visualizing the self as a vessel inhabited by many lives, memories, and histories at once.

Thank you to Charlie Farrell for including my work in an exhibition that feels so deeply connected to my practice and to my belief that rage can be transformed into remembrance, possibility, and collective action.

📍 Radical Rage at Stove Works, Chattanooga, TN
🗓 Opening Reception: August 7, 6–8 PM
🖤 On view through November 14

Thank you to everyone who came to our opening Thursday Marianne Boesky - Art Gallery ! I’m still don’t have words for ho...
06/27/2026

Thank you to everyone who came to our opening Thursday Marianne Boesky - Art Gallery ! I’m still don’t have words for how amazing the night was and how beautifully curated the show looked! Shout out to my cohort (I’ll get sappy about y’all next week, I’m trying not to start crying) and all the people behind the scenes who help support us and nurture us outside these gallery walls! I love y’all and I’m so blessed to be living/crafting my dreams 🫶🏽

If you in the city today, we are doing artist walkthrough’s at the gallery at 3pm today (Saturday, 27th)! Come by and hear us yap!

06/19/2026

Happy Juneteenth!

OPENING RECEPTION: Jun. 25 @ 6-8pmARTIST WALKTHROUGH: Jun. 27 @ 3pmMigrating the Fire Next Time, 95x70x6, acrylic, grand...
06/18/2026

OPENING RECEPTION: Jun. 25 @ 6-8pm
ARTIST WALKTHROUGH: Jun. 27 @ 3pm

Migrating the Fire Next Time, 95x70x6, acrylic, grandmother’s pillow case, fabric, jewels, cotton, embroidery floss, burlap, spray paint, acrylic skin, wood, jean, curtain, feather, leather, oil pastel on tarp, 2026

“Migrating the Fire Next Time” examines Black migration not as a journey toward freedom, but as an ongoing practice of carrying freedom through hostile terrain. Drawing together Isabel de Olvera, the Great Migration, Hurricane Katrina, Haitian pilgrimage traditions, and personal relocation, the work asks what Black people carry when movement becomes a condition of survival. Against the backdrop of a burning house, figures gather resources, seek healing, witness destruction, and move forward, revealing that the promises attached to new frontiers have always existed alongside the anticipation of struggle.

Boesky Gallery and NXTHVN are proud to present “Material Conditions of Becoming”, a group exhibition that features the work of NXTHVN’s Cohort 07 Studio Fellows S. Yemisi Adeyemo, Alexandra Bell, Benita Nnachortam, Masud Olufani, Haejin Park, Chayse Sampy, and Kristopher Wright, curated by Curatorial Fellows Tara Fay Coleman and Juanita Sunday. This culminating exhibition brings together artists working across screen printing, painting, sculpture, sound, found materials, and collage. Through distinct material approaches that resist singular meaning, the artists examine how memory, interiority, and cultural resilience take shape across lived experiences. The artists in “Material Conditions of Becoming” move between personal archives, history, and speculative storytelling to explore themes of myth-making, grief, labor, connectivity, culture, and systems of power.

Happy birthday to my momma! My original muse. You inspire me in so many ways. You taught me the power of love, purpose a...
05/14/2026

Happy birthday to my momma! My original muse. You inspire me in so many ways. You taught me the power of love, purpose and intention. Im so happy we’ve graduated to bestie status and now I get all the lore. I get to not only look up to you but look alongside you. I’m so blessed to know and love you more everyday.

If you look long enough or ask me about my work you will find remnants of you in every piece. Whether that be physically, the clothes I’ve “repurposed” from you, something you said, or just the curiosity you awoke in me. Im obsessed with you!

It’s because of your support and forethought that I am an artist and I’m going to have a crazy retrospective!

It’s my great aunt’s bday today, so i wanted to share a glimpse of her beauty. It’s clear she’s always lit up rooms ✨The...
04/30/2026

It’s my great aunt’s bday today, so i wanted to share a glimpse of her beauty. It’s clear she’s always lit up rooms ✨

They say it’s something about them Ward women!

04/29/2026

Just a lil studio content ✨

This piece is my “Great Migration” piece, but I’m also thinking of force migration due to disaster— natural & man-made. As a woman from the Gulf Coast, when i think about natural disasters, i think of hurricanes and flood (the Storm of 1900 , Hurricane Katrina, & Hurricane Harvey). I’m interested in what people do after disaster, how they gather pieces of a life and move forward into an uncertain tomorrow. This includes the disaster of Reconstruction or the “non-event of emancipation” and racial violence.

Fires come up in my research as signs of knowledge purging; court house fires that disrupt my search for records. Im oddly seeing a connection to the Juke Joint burning up in Sinners & Nottoway Plantation. I’m also reading the James Baldwin “The Fire Next Time”, re-reading my notes from my graduate class with Grace Ali ( ) on Migration.

I got a month to finish this baby, wish me luck 🤞🏾💕

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169 Henry St.
New Haven, CT
06511-3329

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