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10/12/2026

Juliette Binoche recalls how the late Robert Redford attended one of the New York performances of the 100-date world tour of In-I, a work of dance theatre created with choreographer Akram Khan. Redford subsequently visited her dressing room, exclaiming: “You’ve got to make a film out of this!”. “I knew he was right. I was even frightened he was going to do it himself!” says Binoche.

Now online, legendary French actor Juliette Binoche speaks to about making the leap from screen to stage (in her early forties, she had a lightbulb moment on a massage table) and the making of In-I in Motion, her directorial debut which documents her intimate and transformative collaboration Khan, drawn from hundreds of hours of footage shot by her sister Marion Stalens.

🔗Read the full interview via the link in bio

10/08/2026

Way past making friends… unless it’s a dog

A throwback to our 2024 cover shoot with Mikey Madison, who is set to star in The Social Reckoning, Aaron Sorkin’s anticipated follow up to The Social Network, playing whistleblower Frances Haugen.

Read our cover interview with Mikey Madison and director Sean Baker via the link in bio

📸 Fatima Khan
📹 Matilda Montgomery

10/05/2026

“We didn’t have time or the money to try lots of different versions… so with styling Orlando, it was just: let’s just do it.”

Filmmaker Sally Potter and costume designer Sandy Powell speak to Rosalind Jana on the style legacy of Orlando and how, three decades later, it remains a quintessential period influence, not only in film but on fashion runways. [It] may well have to do with the central theme of impermanence, a state of perpetual change, that every designer will recognise as central to their work,” reflects Sally Potter who also recognises the draw of what “the film left out; not just the restricted colour palette but a refusal to tell the story as a conventional period film”.

Read the full story via the link in bio

10/03/2026

Wim Wenders directing Michelle Williams on the set of Land of Plenty (2004). 📸 Donata Wenders

10/02/2026

Fashion people make for the best students of film. As the Italian designer Miuccia Prada once bestowed as sage wisdom: “Study, study, study! Watch movies. [Look at] art. Read literature. Learn that a piece of clothing serves the role of making you live better.”

There are, of course, the more explicit crossovers in the countless runway collections inspired by Wong Kar Wai’s In The Mood For Love or films costumed by fashion designers. But what Mrs. Prada is perhaps getting at is more instinctive: the films we consume give the clothes we put on each day a sense of narrative, character and aspiration. We all hope to look as cool as James Dean in a T-shirt.

Here we interviewed fashion designers, art directors, vintage dealers and filmmakers—people making our favourite clothes and images today—who’ve made the films they’ve watched (and rewatched) part of their visual language. Voracious people-watchers and cinephiles, they get how real people dress, but always through a heightened sense of reality.

Ft. EMILY DAWN LONG, Kartik Research, Durga Chew-Bose, Nick Wakeman, kathleensorbara, , paulina paige ortega

Read all the interviews in full via the link in bio

09/30/2026

“Don’t smile, the wig is false enough!” exclaims Lluís Homar’s Mateo Blanco to the platinum-bobbed Penélope Cruz, playing the sublimely beautiful Lena Rivas in Pedro Almodóvar’s 2009 film Broken Embraces. A rumination on filmmaking, fixation, and artifice, the film moves through the decades in saturated, pulsing colour. Yet it is fashion that most clearly situates us within Lena’s transformations—and ultimately anticipates her tragedy.

From Issue 16: Film Fashion and now online speaks to the legendary Spanish filmmaker as well as his costume designer collaborators Sonia Grande and Bina Daigeler. From Penelope Cruz in Chanel haute couture to moka pots swinging from the ears of a neurotic María Barranco in Women on the Verge of a Nervous Breakdown, she explores his female muses and the distinct fashions that define them.

Read the full story via the link in bio

09/30/2026

You may not know that actress and musician Charlotte Gainsbourg, who performed on stage last night at the SAINT LAURENT SS27 show under the Eiffel Tower, is also a talented photographer. And recently, she has been turning her camera on the long-preserved home of her father, Serge Gainsbourg, capturing the singer and actor’s apartment in the 7th arrondissement of Paris all its carefully maintained intimacy.

Via the link in bio and in our Film & Fashion issue, in conversation with A Rabbit’s Foot Creative Director Fatima Khan she reflects on the making of the exhibition 5bis—named after Serge’s home address and organised in partnership with Saint Laurent and Maja Hoffmann—and her evolving relationship with the photographic medium.

Read the full story via the link in bio

09/29/2026

When A Rabbit’s Foot decided to dedicate its latest issue to Film & Fashion, there was no more fitting moment to launch it than on home turf during London Fashion Week. For the launch of Issue 16, guests moved between Bar Finch and Messums Gallery in Mayfair, London where we created a special photography studio to capture portraits of those joining us from across the worlds of cinema, fashion, art, culture and of course football (yes, football). A document of contemporary London—swipe through to see who was there. All shot on film!

Photography by Dominic

09/29/2026

When A Rabbit’s Foot decided to dedicate its latest issue to Film & Fashion, there was no more fitting moment to launch it than during London Fashion Week, on home turf. For the launch of Issue 16, guests moved between Bar Finch and Messums Gallery in Mayfair, London, we created a special photography studio to capture portraits of those joining us from across the worlds of cinema, fashion, art, culture and football (yes, football). A document of contemporary London, swipe through to see who was there. All shot on film!

📸 Dominic

09/29/2026

As she brings As A Cure—the final chapter of her MOMMY short film trilogy—to the San Sebastian Film Festival following its Locarno premiere, filmmaker Dorothea Sing Zhang joins Luke Georgiades to discuss the three years it took to complete the trilogy, getting drunk with the Dogme filmmakers, and why in film, ugly is forever.

🔗 Read the full article at the link in bio.

📸 Photography by Kingsley Ifill

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