REaP-Ragone Enterprises and Productions

REaP-Ragone Enterprises and Productions Do you have a new business goal or project, but you don't have the time or resources to raise money or cultivate supporters?

Strategic Planning, Public Relations, Advocacy, Evaluations, Marketing and Outreach, Fundraising, Events Management

Twenty-five years of experience in government, politics, and non-profits with a focus on economic development, urban infrastructure, public safety, and the arts and culture sector positions me as the person to help you frame your organization's vision and agenda to develop strategie

s to position you before potential strategic partners, key decision makers to get you the supporters and resources you need. I have proven track record in fostering mutually beneficial collaborations among groups with shared interests to achieve goals while saving time and money for clients. In addition to serving as the Executive Director of the New York’s Lower East Side Business Improvement District, I also served as Marketing Director for the Ciao America Film Project and President and Publicist for FIERI, an organization of college students and young professionals interested in celebrating and promoting Italian culture. I previously worked for the New York City Council as a Special Projects Coordinator and at the NYC Mayor's Office as an analyst. Not only have I been involved in the business side of the arts, but my passion extends to the creative side as a member of the 68 Cent Theatre Group in New York City, playing the role of Norman in the play, "Settling Down." I have also performed as David in "Enter Laughing," Silvio in "Servant with Two Masters," Marty in "Shades of the Italian Sun," and other roles in various showcases. I performed the role of Felix in a student production of the "Odd Couple." As co-founder and co-chair of the Vito Marcantonio Forum, and have dramatized speeches of East Harlem Congressman Vito Marcantonio (1902-1954), and have written and performed monologues of Marcantonio voicing his opinions to modern audiences.

02/03/2026

Gregory Peck kept a sealed envelope marked FINCH in his desk, and when it was finally opened, Hollywood’s cleanest reputation collided with its dirtiest habit.

The envelope came from Harper Lee, handwritten, urgent. Inside was a warning. The studio negotiating To K!LL a Mockingbird was trying to cut her out of the profits. Millions of copies sold, and they wanted her share reduced to almost nothing.

Peck discovered this during contract talks. A lawyer opened the envelope. Read the letter. The room went quiet.

Peck closed the folder and said one sentence. We fix this now, or I do not play Atticus Finch.

No shouting. No threats. Just finality.

Universal wanted the film. They wanted Peck. But they also wanted a deal that favored the machine. Peck refused to move. Lee had written to him because she trusted him more than them. That mattered to him. He met her days later. She told him her greatest fear was not money, but that Hollywood would turn Atticus into a cardboard hero.

Peck promised that would not happen.

She handed him her father’s pocket watch. He later said it felt heavier than any award he ever received.

What happened next surprised everyone.

The studio attempted a quiet rewrite. They softened the courtroom speech, less direct, less political, safer for Southern markets. Peck returned the pages untouched. In the margin, he wrote, Atticus tells the truth. If you want soft, cast someone else.

Behind closed doors, panic set in. Without Peck, the film collapsed. The studio threatened delays. Peck told Lee everything. She flew to Los Angeles unannounced, walked into the production office, and backed him publicly. The rewrite died. The speech stayed.

So did the integrity of the film.

Months later, Peck won the Academy Award. Backstage, Lee slipped him a note. Atticus saved the town. You saved the story. Years later, she gave him her father’s watch permanently, the same one he wore during filming.

People think Gregory Peck’s greatness came from posture, voice, restraint.

The truth is sharper.

He protected that film the same way Atticus protected Tom Robinson, quietly, firmly, without compromise.

The scandal was never public.

But insiders knew.

Gregory Peck did not just play Atticus Finch.

He was him.

Thank you Anthony Chiofalo for being a second set of eyes and reviewing part 4 of my series:A Mamdani / Marcantonio Comp...
12/30/2025

Thank you Anthony Chiofalo for being a second set of eyes and reviewing part 4 of my series:

A Mamdani / Marcantonio Comparison? - Time Will Tell

Part 4 examines the first half of Mayor-Elect Mamdani's Victory Speech as I critique the Comparison between Mamdani to Congressman Vito Marcantonio.

As I did in Part 2 and Part 3, I also incorporate a discussion of Ron Barba 's concept of "MAGA for Mamdani," which Mr. Mamdani has acknowledged in at at least would interviews. (Mr. Mamdani has also discussed asking Democrats during the campaign why they voted for Trump.)

My substack is free to access. There is no pay wall. But I'm flattered that people have pledged money to me should I make it a paid account.

A Mamdani / Marcantonio Comparison? Time Will Tell - Party 4

The Victory Speech – Section A

A Mamdani / Marcantonio Comparison? --- Time Will Tell (Part One)https://www.facebook.com/share/p/1DQofwcB7S/
11/24/2025

A Mamdani / Marcantonio Comparison? --- Time Will Tell (Part One)

https://www.facebook.com/share/p/1DQofwcB7S/

During the mayoral campaign of New York City in 2025, there were at least three articles published by online newspapers comparing and contrasting.

11/06/2025

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New York, NY

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