Openart Advisory LLC

04/24/2026

04/24/2026

On View Now: Here are OPENART’s highlights from the current exhibitions at Perez Art Museum in Miami

Get in the Game: Sports, Art, Culture
A vibrant group exhibition examining the intersection of sport and art, bringing together over 100 works that explore identity, spectacle, and competition. Coinciding with international sporting events taking place in Miami from Miami Open to Formula 1 and the FIFA World Cup, this exhibit explores the cultural meeting point where art and sports converge, revealing how sport shapes visual culture and collective experiences.

Carlos Cruz-Diez: Chromosaturation
Chromosaturation is an immersive installation that reimagines color as a lived, bodily experience. Conceived in 1965 by the pioneer of kinetic and optical art, this work is made of three interconnected chambers, of a single hue: red, green, or blue where the artist utilized light, movement and space to create an environment that engage “the body, the senses, and subjective experience.”

Woody De Othello: coming forth by day
Miami born artist, De Othello’s new sculptures explore the primordial relationship between body, earth and spirit where he transforms familiar domestic objects into surreal, expressive sculptures that evoke emotional and psychological states.

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04/10/2026

“I think size is the most underused element in a sculptor’s vocabulary—it demands time, conviction, and endurance. For me, it is the most powerful tool.”
—Michael Heizer

ICYMI: This winter, Gagosian Gallery in Chelsea presented one of the season’s most memorable installation: Negative Sculpture by artist Michael Heizer (b. 1944), a central figure in the development of Land Art, Environmental Art, and Earthworks.

The exhibition centered on two large scale works, Convoluted Line A and Convoluted Line B (2024), where Heizer extends his investigation of negative form through a balance of presence and absence. The steel is embedded into a raised concrete plane, where the sweeping curvilinear lines unfold across more than 87 feet. Their restrained elegance contradicts the scale of the works, inviting the viewers to navigate the sculptures physically with their own bodies in relation to the works and environment.

Heizer’s previous monumental work includes a sculpture titled City (1970–2022), which is situated in the Nevada desert made with “mounds and depressions delineated by snaking concrete curbs” where the visitor must walk through a difficult terrain to experience the sculpture. The work remains one of the most ambitious sculptures ever created.

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