CryptoFlossing

Online art gallery where cultural & contemporary art meet to tell rich stories.

Vivant Art Collection and CryptoFlossing are two brands that have been created by Florcy Morisset, serial entrepreneur and business strategist. Created to play at the intersection of art, culture and tech, both brands have a keen focus on celebrating creatives and the community within which they thrive.

02/23/2026

Frida Khalo.… will return to add commentary.

Stay tuned.

11/27/2025

truly superb exhibition! Brava!!! 💐🎉🍾

I had the joy of experiencing the brilliant work of Leslie Ann Cruz, an artist whose visual language is bold, emotional, and deeply intentional. Her pieces weave identity, heritage, humor, and spirituality into vibrant compositions that feel both personal and universal.

What I love most is the way she balances complexity and intentionality, using linework, color, and unexpected but deliberate lines to tell stories about resilience, evolution, and the beauty within our cultural layers.

Each canvas invites you to pause, look closer, and discover something new.

As a curator and collector, I’m always inspired by artists, who create from the inside out. Leslie’s work is powerful, beautifully grounded, and absolutely worth experiencing up close.

⸻

🖼️ Artwork Titles

1. Banana Boat
Artist: Leslie Cruz
48 x 60 in

2. Year of the Dragon
Artist: Leslie Cruz
48 x 60 in

3. Map Out
Artist: Leslie Cruz
48 x 60 in

4. Backwards Frame
Artist: Leslie Cruz
60 x 60 in

09/15/2025

Last night I went to the for some much-needed laughter with (hilarious!). But the real story wasn’t comedy—it was Purvis Young.

I first saw Purvis’ work at the House of Blues in Chicago over twenty years ago. My deeper introduction came around 2010 through gallery owners and collectors in Reading, , and those magical Art Basel years in Miami.

That’s when his art and legacy truly imprinted on me. His work is raw, unfiltered, rooted in poetry of struggle and survival.

Seeing major collections pushed me to start collecting big, intentional bodies of art like Frito Bastien and Haitian art. Not just what looked pretty, but important art and demanded to be remembered.

Purvis Young was a self-taught Miami artist who painted political reckoning long before it was fashionable. His brushstrokes were deeply embedded with revolt, resilience, and resistance… the same spirit alive today in movements from Nepal to France.

He painted angels, horses, protests, and people using found wood and scrap boards. His materials and subjects were inseparable from his message.

His art is a testimony, nod to history, and a much needed prophecy.

I applaud the House of Blues has one of the largest permanent folk art collections in the country, with works by self-taught African American artists like Purvis. They’ve shown pieces such as Tigrett and Young, Truck, Watching Over, Come Together, and his famous Freedom Fence.

For decades, they’ve made art part of the fabric of their spaces, curating around human expression, racial equality, and spiritual harmony.

For me, seeing Purvis’ work again is always “back down memory lane”—a reminder of why I fell in love with folk and outsider artists in the first place.

As a dealer, I’ve been blessed to work with artists who, like Purvis, who created art without permission or apology.

Purvis Young isn’t just important… he’s essential. He painted the soul of Miami, and in doing so, he painted the world. 🙌🏾🙌🏾🙌🏾

09/07/2025

You know you’re in for a treat when EVERY museum attendant beams with glee the moment you ask for directions to the Superfine exhibit!

At first, I wondered why the exhibit began with European fashion or rather our remixing and reimagining of it. That question was quickly erased by the vast depth of themes and installations.

The exhibition unfolded across 12 themes: freedom, beauty, ownership, presence, distinction, disguise, champion, respectability, jook, heritage, cool, and cosmopolitan.

opened with ownership—an act of quiet rebellion that led to Freedom and Distinction with Toussaint L’Ouverture and other forefathers of Black liberation. Proud moment for my mom. (2)

Crushed velvet adorned with cowrie shells… literal drip, an ode to the “visual language of Blackness in dress.” (3)

Talisman (not pictured)—modern-day gold chains and necklaces—were “intended to transport, protect, or empower the bearer.”

The practice of money pinning, noted as “perhaps derived from West African custom,” reclaims the concept of wearing and showering of money as a nod of celebrating the wealth we hold as royalty. (4)

From futuristic bursts of color to high-end fashion houses, Virgil Abloh’s Off-White and collabs with designers Ib Kamara and Maximilian were brilliant juxtapositions of doing the most while being minimalist. (5,6,7,8,9)

PS Love how the exhibit was designed NOT to be linear, it allowed you to move with the crowd, stepping back and forward in time.

The Harlem renaissance is one of my fav periods because of the surge of Black creatives. Respectability, reminded me of the power of assimilation. Get in, remix it and take over. (10)

Example “Zoot suit being a symbol of transgression, joy, and youth in its rejection of traditional tailoring.” From Mexicanos to Josephine Baker pictured in traditional tux, entering white spaces leaving immeasurably impact. (11,12)

Andre Leon Talley, once “the most powerful Black voice in fashion” left so much to be adored and desired in all his grander. High fashion, beauty and cool has never been the same without our, the Black influence. (13,14,15,16,17,18,19)

The beginning… (20)

08/24/2025

The key to my heart and imagination is art!

It is symphony where the beats lingers in your soul…

Inviting you to dance, engage and twirl…

I love the arts and the amazing artists for all that they give!

Thank you for the continue labor of love and inspiration!

A love letter!

05/13/2025

Tucked between palms and sunbeams, ‘Aztec King’ emerges with commanding grace. This textured portrait—crafted entirely from vibrantly dyed sand—honors the legacy of indigenous royalty. The headdress, bursting with Mexican iconography and bold geometric patterns, echoes the ceremonial splendor of ancient Tenochtitlán.

Every grain of sand tells a story: purple hues etch his wisdom, while golden yellows and burnt oranges reflect power, divinity, and the sun god Huitzilopochtli.

Rooted in Indigenous artistry and lifted by contemporary color, ‘Aztec King’ invites us to remember: culture lives, breathes, and reigns.

Now available through Vivant Art Gallery—DM to collect or inquire.

Art:
Photographer and creative director:
Music:

Hashtags:

05/12/2025

When you’re trying to center yourself and life get’s loud, what’s your go-to move?

Credit
Visual Art:
Model and Founder:
Photographer and creative director:
Music:

05/10/2025

When the art calls you… you answer.

Vivant has been a calling.

I have served as a vessel.

But there is a shift… I am taking center stage.

I reclaiming my time.

Led by artful content, guided by ancestral rhythms, rooted in truth.

Welcome to this next chapter.

Join the journey. Witness the shift. Walk with us.

Art:
Model:
Soundtrack: “A Change Is Gonna Come” – Sam Cooke
Photography and Creative Direction:

05/09/2025

The journey of finding my voice…

I stood still on that log—
balancing not just my body,
but the stories I carry.

The sun didn’t just shine.
It kissed my skin
like a grandmother’s hug—
warm, knowing,
ancestral.

There I was…
Not lost.
Not broken.
Just quiet enough to hear
the whisper of my own becoming.

Water beneath me.
Earth beneath that.
Spirit rising above.

This is what it looks like
to pray with your body,
to affirm with your breath,
to remember yourself out loud.

I found my voice
not in the noise,
but in the pause.

—Florcy

05/06/2025

Dancing and standing in the fullness and grace of my ancestors… go to the water! 🇭🇹

Credits

05/04/2025

Around me is nature, grace, and stillness. And inside me? A voice I’m finally learning to trust.

Check out the full vlog in the bio!

Credits

Address

Philadelphia, PA

Website

http://www.vivantartgallery.com/

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