Jim Poore Glass Cutting & Restoration

Jim Poore Glass Cutting & Restoration Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Jim Poore Glass Cutting & Restoration, Business, P. o. box 202, Sagamore, MA.

Here is a beautiful antique Pom Pom weight with allover scuffs, scratches and bruises that a client sent in for restorat...
08/04/2022

Here is a beautiful antique Pom Pom weight with allover scuffs, scratches and bruises that a client sent in for restoration. I love showing the before and after photo's. A lot can be done to show the beauty hidden behind over a century of use, and sometimes abuse these antique paperweights suffer over their lifetime. I am always happy to see a great weight restored to be seen as it was intended over 150 years ago.

08/03/2022

Hello all! I have been having issues retrieving, and viewing messages to my page. Please send any questions in text to my cel phone at 508 246 7395. Sorry for any inconvenience, I just have no other way to be contacted through facebook, as messages seem to be unacessable for some reason. Thanks, Jim

Here is an antique St. Louis fruit weight on lace which has seen better days, sent in by a collector to see what I could...
06/10/2021

Here is an antique St. Louis fruit weight on lace which has seen better days, sent in by a collector to see what I could do. It came in with, not the worst I have seen, but a very large bruise to the lower side and through the base. These types of restoration are my favorite... Many would think it is not repairable, let alone restorable. This example had enough glass to lend itself to be perfect once again, after removing such a deep bruise, and re-cutting the base. Dont' overlook a great weight with damage, some may not be restorable completely, but a lot can be done in most cases.

Here is a weight I finished recently for glass paperweight master David Graeber.  It is a basket cut with strawberry dia...
02/23/2020

Here is a weight I finished recently for glass paperweight master David Graeber. It is a basket cut with strawberry diamond cut sides and star cut base. It always amazes me how long this cut takes, a lot of marking, many hours, just to get it to look just right, otherwise the pattern will be off. All the hours are all worth it when I am done. I love doing the fancy cutting like this, very rewarding! Even cooler is the fact David puts a JP signature cane in there for my cutting! Enjoy!

Here is a nice before and after pictures of a rather abused antique Clichy weight with a few roses, which I just finishe...
07/12/2019

Here is a nice before and after pictures of a rather abused antique Clichy weight with a few roses, which I just finished restoring for a collector, shown with their permission of course... It had some pretty bad damage below the surface which was just covered in scuffs and scratches, it was near impossible to view the canes. Now the canes are much brighter and visible... Enjoy the pics!

Well, here are the pics of the finished works for Ben's teachers.  He worked hard at it, and they came out great, I'm su...
06/17/2019

Well, here are the pics of the finished works for Ben's teachers. He worked hard at it, and they came out great, I'm sure his grampy would approve! A 3rd generation in training.. A proud week! He also got a presidential award at school for academics.

Ben working away engraving jellyfish and seaweed for end of year gifts for his teachers at his elementary school..    Wi...
06/11/2019

Ben working away engraving jellyfish and seaweed for end of year gifts for his teachers at his elementary school.. Will post final results later..

Here are a beautiful couple of crimp rose paperweight perfume bottles I just fitted the stoppers to.  They were made by ...
04/05/2019

Here are a beautiful couple of crimp rose paperweight perfume bottles I just fitted the stoppers to. They were made by David McDermott at McDermott Glass Studio of Sandwich, MA. They will be brought to, and available for purchase at the McDermott Glass studios table, tomorrow April 6 at the NEPCA meeting. David is one of the guest speakers. Hope to see you there!

Happy valentines day!  This is a piece made by Jim Kontes special order for my dad to give to my mom in the early 1980s.
02/14/2019

Happy valentines day! This is a piece made by Jim Kontes special order for my dad to give to my mom in the early 1980s.

Here is a beautiful antique St Louis strawberries paperweight I have just completed for a customer.  It was covered in s...
01/31/2019

Here is a beautiful antique St Louis strawberries paperweight I have just completed for a customer. It was covered in scuffs/scratches and a few bruises scattered around the top and sides. The view was obstructed from the scuffing, it was hard to see any of the detail of the lampwork.
Now it is free of any scratches, scuffs, and any bruises or remnants, yet leaving the original basal rim and wear. It is now back to looking like how the artist intended it to be seen over 150 years ago! Special thanks to Gulsari for letting me take these photos to show what I can do!

Its been a while since I have posted anything because I have been so busy, but couldnt' resist taking some time putting ...
01/25/2019

Its been a while since I have posted anything because I have been so busy, but couldnt' resist taking some time putting up some before and afters for a restoration on a 19th C sulphide weight I just completed. It is for a customer who wishes to remain anonymous, but I did get their approval first. It was poorly "restored" at some point in its life, but most bruises had remnants, some deep and pretty much covering the entire weight, I could only imagine how bad it must have been originally if this was considered acceptable.. Along with all the damage left behind, the polished left a very lumpy-bumpy surface which optically rippled the entire surface, and it was very grainy and distorted any ability to clearly see the sulphide inside. Now it has a bright clear surface, free of all bruises and remnants of any poor work from before. I always like showing before and afters when I can to show what can be done if done properly, in some instances it is a dramatic transformation.

So many memories flow through my mind as I clear out my fathers shop, which has been quite a project over the past sever...
08/29/2018

So many memories flow through my mind as I clear out my fathers shop, which has been quite a project over the past several months since my fathers passing. It has been bitter-sweet for me. Grateful to have all the equipment which served him well for decades, most of which was second hand, buying any piece or part of anything he thought he could use or modify to be used on glass, most of our equipment was made by him with a little yankee ingenuity. What he did was not typical in the industrial equipment supply scope, the cutting industry was at its height from the late 1800's through the 1930's and never recovered after, and little demand for it after, so many companies discontinued supplying, or even producing things like lathe's and especially the stone wheels which are the most important. Over the years he snapped up any stone wheel he found, as did I and still do... I remember when I was very young, probably 5 years old or so, and his cutting teacher Carl Schweidenbach, a former cutter at the original Pairpoint factory in the 1920's, told my dad of another cutter from the time he was there had recently passed and his widow, knowing how important these tools were in the right hands, wished they could go to someone who could use them. He met with her and ended up buying his first good lathe, the one in the photo's, which is in my opinion one if the finest lathes of its type I have ever seen, and a pile of original stone wheels from the old Pairpoint factory. Having the right equipment is very important, your skill can only be only as good as the equipment you use. With that lathe, which he painted a really cool metallic green, he then went on to do some of the finest cutting on some of the most revered paperweight makers of his time like Bob, Bobbi, and Ray Banford, Johne Gooderham, Francis Whittemore, Charles Kaziun II, Charles Kaziun III, Nontes and James Kontes, Debbie and Delmo Tarsitano, Paul Stankard, Rick and Melissa Ayotte, Chris Buzzini, Ken Rosenfeld, Gordon Smith, Clinton Smith, David Graeber, and I'm sure I forgot a few. This lathe is one if the last pieces I will have to move out, but the most important to me personally. It is the caddilac of lathes... Once everything is all set up, I will post a few pics. It served him well for over 40 years, and I am honored to be a link of the chain of ownership for this survivor who didnt end up in a metal pile at a scrap yard, or for the war effort in the 40's like most of them did. As I look at it now, its more of a real symbol to me this is not the end, but a new beginning in many ways. Working with him side by side during all of the 90's and off and on after 2000, when I built my own studio at my home, with his assistance of course, was some of the most exciting times learning the glass business. Around 2000-2001 he told me he was contacted by a widow of a former Pairpoint cutter who wanted to sell her husbands equipment, so we went out and I bought everything she had with excitement at the opportunity. My start in the business was much like his, and was not possible without him, I will always owe him for teaching me the right way to do things, the first time, and how the long way is usually faster than trying to use a "shortcut". I will always be grateful.

Address

P. O. Box 202
Sagamore, MA
02561

Telephone

5082467395

Website

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