06/09/2022
A picture caught my eye as it illustrated the problem created by saddles blocking riders in an artificial posture. I drew the silhouette and asked the New Order Team members about their impressions.
Here are the four first responses.
Susan Hopf
The rider in the picture is something I see all too often. Not only with new students and in live clinics but also in advertisements for breeches, bridles, grooming products and other equine products. The silhouette created with the straight arms, seat too far back and high on the cantle with no alignment in the spine of the rider makes me cringe each time I see this aberrant rider position. It makes me think more of a poorly arranged "hunter" rider rather than a dressage rider whose ultimate goal is balance. Balance is spoken of in all aspects of dressage training but unfortunately rarely achieved in part due to the current fashion in saddles. Saddles with a too deep seat, the pommel so high and the rise traveling too far back coupled with large thigh blocks leave little room for the rider to actually sit. Instead the thighs brace against the blocks and push the rider's seat back. This then creates a distortion in the proper alignment of the spine which over time will most likely cause issues in the lumbar spine of the rider. As the rider struggles with the saddle they will miss any connection with the horse. I hear and read all of the time "trainers" telling their students to feel the horse. But in the position demonstrated in the picture all they wind up feeling is an aching back. As the struggle continues they then clutch at the reins to try to stabilize the imbalance in the horse, forcing the horse to be heavy on the bit and consequently causing the horse to travel heavy on the forehand. Among other more serious consequences, such as navicular from the overloading of the front limbs, balance can never be achieved under these circumstances. Saddles must be included in the paradigm shift that is the cornerstone of advanced and educated riding. (For those interested in learning more about advanced equine education please check out Science of Motion's In hand Therapy Course as well as the Wisdom series.)
Ronda Hanning
The rider’s seat is at the back of the saddle and the knees are pushing into the knee rolls. The lower leg has swung forward. I would anticipate from her position in this photo that when the horse alights with the diagonal pair that she will move too much and then be in a position where she pushes with her seat. I would expect to see her upper body move too much. It also looks like when the diagonal pair alights that the front foot will touch first and will touch not forward enough in front of the shoulder. I see tension through the neck and shoulders of the horse. The reins as you have drawn them look loose but the tension in the neck and shoulders of the horse tell me that the horse probably puts weight on the bit or the rider has tension in the hands or arms. The rider’s shoulders are rounded and the chest is not open. That also tells me there is weight there. The rider looks “perched” on the saddle and way above the horse, especially with her seat at the back of the saddle where the saddle is thickest. The upper thigh does not drop down and hug the thoracic because it is at the wrong angle due to the seat being at the back of the saddle and the lower leg swung forward. This rider may not absorb the movement of the canter in the lumbar but instead, hinge and the hip and move her upper body forward and backward at the hip joint. If her leg has tension the lower leg may swing back and forth a bit as well.
Vicki Borrelli
This saddle has the opposite effect of what they are looking for. No way to be able to advance the pelvis forward as the thigh blocks prevent even the upper inner thighs to have any upright support. Lifts your sit bones and pushes you back on your glutes. Certainly disconnects you from the horse; you are spending your time riding the saddle instead of the horse.
I had a student pre-Samba for me that had one of these saddles. When I hopped on to better explain to her what I wanted, I literally could not move. It was as if the saddle was 5 sizes too small for me and it was either a 17.5 or 18" saddle. Hers was an expensive high end saddle and I thought about how trendy the saddle was but how aweful it felt to me. It put me in a position that you literally had to push your glutes into the high cantle in order for your legs to not mash against the thigh blocks, which they did anyway. And to get off the horse was an extraction project. The forces that came through your back were like a jack hammer and there was no way that I could find to right that. The rider in your picture looks like they are handling that saddle better than I did. Course, I suppose if it were in motion, we would see more problems, no doubt her feet would end up in front instead of under the hips.
She thought the saddle gave her a sense of safety as she was so locked in, but it prevented her from having any dialog with her horse through all that leather and the distorted position she had to ride in. She was always sore after her lessons and blamed me for the workout. What it gave her was only a false sense of confidence as she was never in a place that she could effectively communicate with her horse. Once I got my Samba I made sure that she rode in that for her lessons. Needless to say she was able to reach a level of communication with her horse without undue effort and invisible cues. She realized that she did not need to be 'locked' in to ride and what it was like to finally have the freedom of her body to use and that her body was not sore after lessons; I would say also that her horse felt less strain as well as he could now respond instead of react to her requests. The rides got more harmonic.
It makes a huge difference when you are riding to have the correct tools and your saddle and your body are the key tools. Without having the ability/freedom to move to influence your horse all you are doing taking on blunt forces of the horses movement without a way to redirect them; your body pays the toll as well as the horses. One of the high end saddle manufacturers has a book out on why their saddle should be the choice for your horse if you love them. I read the book. It certainly was very well done. However, never did it ever mention anything about forces coming through the saddle or how that plays into developing a saddle. Well, if you do not take forces into account, how are you basing what you are building on? And that is a big problem with modern day dressage saddles. It is all about the fashion or what is in vogue. Fashion not function.
Amy Potter
For sake of brevity, the very first thought/word that came to my mind when I see the silhouette of rider in the picture is
Lordosis. Backache.
Also, a thick wall between horse and rider that damns any potential for clear, sympathetic (two way) conversation into a distortion; a disruption
of pushes, shoves, instability. No flow.