18/08/2026
Nefertiti smiting on Royal Barge
▫ These remarkable talatat blocks preserve an Period scene in which stands within a kiosk aboard a royal barge, grasping and smiting a foreign enemy of Egypt.
The traditional smiting pose was one of the most potent images of Egyptian kingship, normally reserved for the pharaoh himself. Yet here Nefertiti unmistakably assumes that role, a striking indication of the extraordinary prominence she attained during the reign of .
Even the royal vessel proclaims her presence. The enormous oars of the barge are adorned with images of Nefertiti’s head, shown wearing her distinctive tall, double-plumed headdress. Beneath and around her, the rowers appear to include men of both Egyptian and Nubian origin.
The blocks were discovered at Hermopolis, although they had originally come from Akhetaten, modern el-Amarna, the revolutionary capital founded by Akhenaten.
Unfortunately, much of the composition has been lost. The remains of a second boat appear to preserve another smiting scene, perhaps originally showing Akhenaten himself. With the head and upper body of the principal figure missing, however, the identification cannot be certain. From what survives of the captive’s costume, the enemy being struck appears to have been represented as either Libyan or Asiatic.
Scenes such as this have played an important part in the long debate surrounding Nefertiti’s political position. Some scholars have proposed that she exercised power alongside Akhenaten as a co-regent, while others have suggested that she may even have ruled as pharaoh after his death, perhaps under another royal name.
None of these theories can presently be regarded as certain. What the surviving monuments do reveal, however, is something remarkable in itself: Nefertiti was represented with royal powers and imagery that went far beyond those normally granted to an Egyptian queen.
Now at the Museum of Fine Arts, Boston. 63.260